Art/Film:  “Breakable You” &  “It’s Only the End of the World”

Two Films, Two dysfunctional families involving Two playwrights with Two very different stories. 

These were my first two choices to see at the Palm Springs International Film Festival (PSIFF). They make our world seem a whole lot less complicated and somewhat normal.

Image courtesy of Harmoney Productions
Image courtesy of Harmoney Productions

It was easy to choose the world premiere of a movie entitled “BREAKABLE YOU” mostly because two actors I really admire are in it.  Holly Hunter (the piano, what women want) & Alfred Molina (Chocolat, Frida).

“We’re all fakes until we have a good idea, and then we’re geniuses” – quote from the film.

This arguably dark comedy revolves around Eleanor, a psychologist (Holly Hunter) following the divorce of her plagiarising playwright husband  Adam (Tony Shalhoub)  who tries desperately to regain a former successful Broadway following.  They have a bi-polar philosophy grad student daughter named Maud (Cristin Miloti) who chases a forlorn uncommunicative man named Samir (Omar Metwally) who is trying to overcome an unbearable loss of his own.

Almost immediately following the divorce Eleanor embarks on an affair with her first love who happens to be her ex-husband’s brother (Alfred Molina).  Sound complicated?  It is! The setting takes place on New York’s upper west side with the Manhattan literary crowd.

If this sounds familiar like something from Woody Allen; trust me, it’s not!

“IT’S ONLY THE END OF THE WORLD”  (Juste la fin du Monde) is gaining awards buzz and for good reason.

Photo: theplaylist.net
Photo: theplaylist.net

I chose this one because of the amazing all French cast: Marion Cotillard, Vincent Cassel, Léa Seydoux, Gaspard Ulliel & Nathalie Baye.  They were all unbelievably brilliant even if at times it was in-your-face hard to watch.

In brief the story is about a young writer returning home after 12 years to try to reconcile and tell his family some terrible news.  The news being that he is dying.  But the whole family is dying in a psychological sense.  This is one of the best (or worst) cases of family dynamic dysfunction I have yet to witness on the big screen.  Let’s just say….

My next selections from hereon in will be more uplifting.

Written by Liz Fuoco

The Palm Springs International Film Festival (PSIFF) is from January 2 – 16, 2017.    There is an abundance of fabulous films to choose from.  For more information go to: https://www.psfilmfest.org/

Culture/Art/Film: Landfill Harmonic

This is the best feel-good movie I’ve seen in a long time.

landfil2 I just watched it with my film buddy who I met at VIFF. landfil1This film is not about garbage, it’s about making the best of the junk that surrounds you.

The reason it’s uplifting is that it points out that no matter what your living conditions are like, through the power of hope and dreams you can build on becoming what you desire and we realize that music is that unifying force that binds all people.  It’s pretty powerful.  It’s actually a film on the power of music through very unusual circumstances.landfil5landfil4

These kids play everything from the BIG THREE (Mozart, Bach, Beethoven) to heavy metal (play heavy metal with heavy metal) favourites.

Land Fillharmonic was showcased last year at various film festivals but was recently re-released in many cinemas worldwide (you’ll have to check in your hometown).  If so, I highly recommend seeing it.  WATCH TRAILER:

https://www.youtube.com/watch?v=wCjbd21fYV8

Landfill Harmonic follows the Recycled Orchestra of Cateura, a Paraguayan musical youth group who live next to one of South America’s largest landfills. This unlikely orchestra play music from instruments made entirely out of garbage. When their story goes viral, the orchestra is catapulted into the global spotlight. With the guidance of their music director, Favio Chávez (a most amazing man), they must navigate this new world of arenas and sold out concerts. However, when a natural disaster devastates their community, the orchestra provides a source of hope for the town.

Photo: d. king
Photo: d. king – one of the instruments taken in the lobby of VanCity Theatre Tuesday night.

Instruments Beyond Borders...harnessing the power of music to better children’s lives.  Many schools have now very unfortunately cut music from educational programs.  It’s good to give back.

Photo: d. king
Photo: d. king

An entirely volunteer, charitable Society dedicated to delivering donated musical instruments and funds to music education programs in disadvantaged communities at home and abroad.  In Vancouver instrument donations can be made at Tapestry Music (3607 West Broadway).  Tax receipts for donated instruments are available upon evaluation.

Music heals the world.  So will recycling.

Life at Large: the HUMAN condition

 Paraphrasing Janis Joplin: Happiness/Freedom are just two words for nothing left to lose.

Last week I watched a gripping, disturbing and captivating docudrama (with lightness at times) which was part of the VIFF screenings on….everyone…everywhere…everyday…appropriately entitled…human1

And guess what?

We’re pretty much all the same in the sense of what we all really long forsimple happiness.

I think that’s what first attracted me to the title of an Italian subtitled film that was on my list to see called “The Complexity Happiness.”  Without knowing a thing about the film I wanted to see it…because happiness is a complex thing and not so simple for many to attain after all, is it?

Because everyone wants something…else. We’re different in the sense of what we own, the clothing on our backs, our environment which of course encompasses our living conditions, language, family and our bank accounts. But other than that we only really want happiness.  And we all know by now that happiness does not come from having more money.  Money minus love equals emptiness.  End of story.  There’s only so much pleasure you can attain by buying more….things.  Having said that, there are more people in the world who have nada, but many are happy with what little they have if they have a strong family connection or for many, faith (in whatever they believe in).  And we would be stupid to assume having no money at all is a good thing even if your family situation is balanced.

Balance in life is important for everyone and how can you be truly happy if you’re always fighting to find a way to feed your family, find a job, look after yourself and those around you?

It’s a BIG WORLD out there and for the most part…it’s out of whack and completely and unfairly UNBALANCED.human2

WHAT I’VE LEARNED FROM THIS POWERFUL FILM overall is… the world we live in can be a pretty sad place!  I mean even checking out what’s going on with the U.S. election campaign…who would have ever thought it would come to this for the most powerful position in one of the most powerful countries?  It’s a bit of a joke like a Jerry Springer gong show. And just before this film I saw “American Honey” which deals with misfit millennials looking to find work and fit into society and have some fun. The list goes on.

So yes, it was depressing to see more than enough faces from all over the world talk about their personal living conditions and socio-economic situation.  It was meant to inform and upset from where we were sitting, in comfortable seats in a warm movie theatre with our popcorn & sodas.  On a more uplifting note, there are some feel-good parts to the film as well. And we find out that some of the monetarily poorest people on the planet are the happiest.

But even happy people are not constantly happy…life gets in the way.  How many people have you heard about in the past couple of years alone who are/were famous with lots of money who died from drug overdose, committed suicide, are or were severely depressed? How many are in rehab?

Maybe the secret to happiness lies in being contented. I think contentment counts for a lot.  It’s a good balance of being mostly happy with a few disruptions along the way.  We are, after all only human.

And unfortunately, unfairness is a way of life…for most.

Human trailer:

https://www.youtube.com/watch?v=0-Retnj3TsA

This is my last VIFF review until next year but I want to let you know that my friend Ann Marie Fleming WON for her feature length “Window Horses” – in the best Canadian Film Category. I am so happy for her.  The wonderfully animated movie about poetry has an encouraging message.  I highly recommend seeing it.

We must take happiness in doses…BIG or small!

Film: Seduction/Secrets – The Handmaiden

The Handmaiden was my chosen last film to see from VIFF.  It was an intriguing change from all the other selections.handmaiden5It’s an erotic thriller with many a twist and turn.  I can only imagine what the men in the audience must have been thinking in a few of the scenes….given what I believe men like to envision.  But it was much more than that.  Beautifully directed from acclaimed writer-director Park Chan-Wook who is considered the King of Korean cinema.  His first English language film was Stoker starring Nicole Kidman.handmaiden3

Synopsis: with help from an orphaned pickpocket (Kim Tae-ri), a Korean con man (Ha Jung-woo) devises an intricate plot to seduce and bamboozle a wealthy, innocuous young Japanese woman (Kim Min-hee) out of her inheritance.  The woman lives on a large secluded estate and the Korean pickpocket is hired to serve as her new handmaiden.  But who is really fooling who here?

This movie was inspired by Welsh author Sarah Waters’ novel Fingersmith; with the setting changed from Victorian era to Korea under Japanese colonial rule.handmaiden2

It was a captivating piece of work.

Trailer:

https://www.youtube.com/watch?v=IkvHtfRAKNk

The film festival has formally ended but extra screenings of some of the more popular films will play in select theatres over the next several days.  To find out more please visit: https://www.viff.org/

Lifestyle/Film – from FRANCA to FREIGHTENED

The Vancouver Film Festival is almost over. For the past two weeks I’ve seen my share of GLOOM to GLAMOUR through cinema and ended up going home with either a smile on my face or more often than not, with a heavy heart.franca1Being a film critic is not as simple as it seems. Did I say film critic? Well you know what I mean..my version.  It’s kind of like speed dating (not that I’ve ever done that) – you have to weed through many movies before you come across a great film.  But that great one will stick with you and may even change your life forever.

I even have a film buddy now.  Someone I met in the pass holder lineup from the very beginning of the festival and we kept bumping into each other, sitting together, crying at times and finally comparing films and such and sharing real life moments in time (while waiting for each film to start).  We promised to keep in touch and meet up every so often to see a new movie because we seem to have the same taste in film.  And let me tell you that finding the perfect film buddy is a lot harder to come across than the other more popular kind of  “F” buddy.

So I have only a few more reviews to share, a very small amount compared to all that was offered at the festival.  I’m sending them into the VIFF press office and hopefully they’ll decide to invite me back again next year. This has not only been a real pleasure and a privilege but a great opportunity to share with you some very engaging films and a chance to expand my audience.

These two documentaries will make you question everything you buy.

Franca: Chaos and Creation

The high price of fashion…

I was looking very forward to this documentary about legendary editor-in-chief, Franca Sozzani of Vogue Italia, considered the world’s most important fashion magazine.  It’s the magazine for fashion insiders to visit the territory where fashion, art and provocation meet. Her astonishing but often controversial magazine covers have not only broken the rules but also set the bar high for fashion, art and commerce over the past 25 years.

Sozzani remains deeply committed to exploring subject matters off limits to most and occasionally redefining the concept of beauty in the process.

The film features interviews with Karl Lagerfeld, Bruce Weber, Baz Luhrmann, Courtney Love and many others.  A film for style buffs.

*Trailer for Franca:

https://www.youtube.com/watch?v=KvD8l12X9pA

Freightened: The Real Price of Shipping
franca2

The higher price of fashion.  There’s always a cost.  How much are we willing to pay?

This is in stark contrast to Franca and something to give serious thought to.

“There are three kinds of people in the world.  The living, the dead and those that are at sea” – a line from the movie.

This film sheds real light on where a huge portion of our clothing really comes from.  It will make you question your choices (hopefully) the next time you shop for that next great deal.  Maybe we should read clothing labels like we are now paying more attention to our labels on food.  Because there’s a story behind them and it’s not a pretty one. Those $20 jeans weren’t just shipped here from Bangladesh: the constituent parts traveled thousands of miles before they met in the factory.  But it’s not just about clothing, it’s about everything we consume in our crazy world of WANT.  And 90% of everything we consume arrives via ship so this is essential to know about. Because many of us are unaware of the consequences of industrial container shipping as it is today and has been for many, many years. And it’s drastic impact on the environment….which affects everyone and the future of the planet.  But it’s not too late to make some changes…if only they will listen (but we don’t know who they really are because the owners are hard to track down).

Denis Delestrac is opening our eyes to the incredibly important implications of things we take for granted. And you won’t believe your eyes.

From the VIFF website:

Freightened is indeed a scarifying look at our oceans and harbours, and what the behemoths and leviathans that ply our seas are doing to them. It’s all because of what we buy!  The unit travel costs of huge industrial container shipments are astonishingly small, but the environmental costs are ridiculously large. Why bother to learn more? Why think global and buy local? The open seas are shockingly free of oversight and regulation. Dirty fuels, chemical leakage and animal-killing noise abound in a regime of tax avoidance and maintenance neglect, and we know so little about it. What are the plans for our Port of Vancouver?

Food for Thought?  

*Trailer for Freightened:

 

Design/Film: The Architect

“As an Architect  I have the job of transforming hopes and dreams into wood, glass, steel and concrete.  But if the dreams aren’t there, there is very little I can do.”

– a line from the  The Architect

Clip from the Film
Still from the Film

Last night I attended the VIFF premiere of a new movie called “The Architect”.  I wanted to see a light comedy after the heaviness of the last several movies.  Something with a design element to it.  The Architect was reminiscent of “The Cable Guy” starring Jim Carrey but only in the sense that the architect (played by James Frain) was annoyingly cloying in his attempt to help out, thus getting on the nerves of his employers as he tries to infiltrate their lives.

The movie was written and directed by Jonathan Parker who was in attendance to answer questions from the audience as was one of the main characters, Eric McCormack (Will & Grace, Broadway, etc. Parker Posey plays his wife in this bizarre tale of obsession and deceit when a couple (played by McCormack & Posey) hire a supposedly top notch visionary architect to build their dream house right after buying a tear-down.  But what they’re not prepared for is the architect’s brash ego informing them to follow his own designs and desires.  The wife, a creative type of her own,  gets swept up by the architect as creative designer – a stark contrast to her husband’s very practical side.  A husband by the way,  quite skeptical of the intentions of the architect in question.

You begin to realize who the dream house really belongs to –  The Architect.architect1

What’s funny is that Eric McCormack (originally from Vancouver) is building a home here and his own architect was at the screening.  He pointed him out in the audience at the Vancouver Playhouse.  He said if that wasn’t enough he also hired an interior designer.

Some lines from the film:

I don’t know why people hire architects and then tell them what to do

I believe it is just as important to design a chicken coup as it is to design a cathedral

Q & A
Q & A with Director and Actor.  Photo: d. king

The Trailer:

https://www.youtube.com/watch?v=rn9pk_186P4

For more information on the Vancouver International Film Festival (VIFF) please visit: 

https://www.viff.org

Style/Film: Personal Shopper

I really wanted to love this film.  Of course the name alone  appealed to me as you must have already guessed.  It was a definite YES on my list and it was a front runner at the Cannes film festival.

Kristen Stewart in Personal Shopper
Kristen Stewart in Personal Shopper

I mean it had ALL the elements of a fantastic movie.  An unassuming young woman (played by Kristen Stewart) riding a scooter around Paris picking up vetements from shoppes like Chanel for her super model employer who is too high profile to do it herself.  She also has a special gift of being a medium (not in size but in a psychic way).  She’s waiting for a sign from her twin brother who passed away.  And she’s able to tap into the spirit world when disturbing signs appear before her but they are not that of her brother.

The movie is almost unclassifiable.  It has a little of everything but doesn’t quite hit the mark.   It’s a bit of a thriller but not really because it’s too disjointed.  It leaves you a bit in the dark…wanting answers.

And even though Kristen Stewart does an excellent job in the role it made me question why a super model would choose a mopey dishevelled looking girl who doesn’t dress well to go to these upscale boutiques to choose clothing and accessories.  Just saying.

But maybe I’m missing something because while I bided time at Nordstrom waiting for the next movie to begin I came across this image:

Photo: d. king
Photo: d. king

Apparently Karl Lagerfeld saw something special in the young actress beyond the messy hair and frowned lips.  Lagerfeld & Stewart have collaborated many times to bring to life the true spirit (no pun intended) behind the fashion house Chanel.  Speaking of the actress, Lagerfeld once declared: “She is a real personality.  I don’t compare her to any other actress and she is really modern, whatever that means.  And I think that she is perfect for the Chanel image of today.”

So who am I to argue with Karl!

But going back to the movie….I liken it to a Thanksgiving meal that you enjoyed but they forgot about the cranberry sauce and gravy.

Trailer:

https://www.youtube.com/watch?v=7hghXP4F3Qs

There is one more showing on Oct. 13th

For tickets please visit: https://www.viff.org/

Feel-good Friday: FILM FEST

Fall is Film time

Very Intriguing Fabulous Films
Very Intriguing Fabulous Films is what VIFF also stands for

It’s a frenzy. There’s a ton of good films out there – you’ve just got to find them!  And there’s literally something for everyone.

Movies are not only an escape from daily life (sometimes good, sometimes not) but many are insightful, you can learn something,  or maybe you just want to be totally entertained, or shocked, or frightened, or moved or infuriated or turned on and so forth….that’s the beauty of it all.

Inuit Cowboys in the Arctic, Maliglutit was inspired by John Ford’s The Searchers (1956), a classic cowboy movie starring John Wayne.
Inuit Cowboys in the Arctic – Maliglutit was inspired by John Ford’s The Searchers (1956), a classic duster starring John Wayne.  I never liked cowboy movies….

It’s like feast or famine for me (and not just with movies).  I binge watched ALL the Academy Award nominated movies for the last awards show….after not having been to a movie theatre in a very  loooong time.

I mean who has time to watch a ton of movies all at once when there are fashion shows to attend and foodie/wine events to go to?

Oh and I forgot about binge watching Stranger Things & Bates Motel on Netflix.  There’s a lot of stuff on my plate now.. besides food.

So now I’m attending a handful (actually two handfuls) of movies not yet released in theatres – all part of the Vancouver International Film Festival (VIFF). So many to choose from in all genres.

Good movie but could be shortened by about 40 minutes.
Good movie but could be shortened by about 40 minutes.

THIS YEAR they’ve divided the festival guide into categories.  Panorama, focusing on contemporary world cinema, Ignite, showcasing inspired works emerging from the creative nexus that is British Columbia, True North, celebrating extraordinary creativity by Canadian storytellers, Impact, uncompromising films and discussions that spark action and change the way we see the world, Gateway, a journey into a compelling cinematic world of East Asia’s most adventurous artists, M/A/D (Music, Art, Design) and Style in Film and ALT (Altered States) – Short Films.

I’ve managed to pick at least one from each category to watch and review.  The first thing I do is to look at each title.  If the title intrigues me then I read the blurb about the film and mark it as either YES or NO.  This is a challenge in itself because most of these films (if not all) are being reviewed for the very first time as they are not yet released.  So I thought I’d try my hand as a movie critic…of sorts.  Keeping in mind that I only choose movies that intrigue me and that I’m going to like… or at least hoping to like.  So I’m very unlikely to give a bad review having carefully gone over all critical criteria beforehand.

Finding time to fit these films into your schedule….now that can be a challenge.  There are a few I want to see but cannot.  There are others that overlap and a few which are several hours apart from each other, so you have to figure out what to do in the time in between.  Sigh…….And you know your life is full when you must choose between seeing a movie totally filmed in the Arctic complete with dog sleds and igloos vs taking a fermented cooking class.  Choices!

Time in between can be spent eating, shopping, walking the dog again, going to a yoga class or just….meditating.

Such is life in the world of cinema and all us crazy film buffs (even if we’re only part -timers).

That’s all to say that up until October 14th (maybe beyond) you’ll be hearing about these movies.  But then you won’t….possibly for quite some time.  So enjoy it (or not) while you can!

Are there any movies you’re anxious to see? Are there any that intrigue you to go and see from my notes on this blog?

 

 

Style in Film: Yohji Yamamoto – Dressmaker

YOHJI YAMAMOTO | DRESSMAKER  & master tailer is a portrait of more than a Designer

“Live your creative life! Live your creative life!’”yohji2

Last night I attended the Canadian premiere of Yohji Yamamoto, Dressmaker – part of the wonderful lineup of the Vancouver International Film Festival (VIFF).

The documentary is an intimate look at the life and work of Yohji Yamamoto, one of the most influential and enigmatic fashion designers of the last forty years. yohji3

Not to mention flamboyant in his own disarming way but also non pretentious and a little melancholy. He does admit to putting all his emotion, all his excitement and philosophy into his clothing from the very beginning…all while puffing on a cigarette.  I imagine his own clothing must reek of cigarette smoke.  However…

Fashion editors agree – arriving at a Yohji Yamamoto show stirs a sense of anticipation not experienced elsewhere.yohji4

Love his designs? Hate them?  Unsure?  In any event you cannot deny the remarkable talent and avante-garde spirit of this now 73-year-old Japanese designer/artist who has never followed trends.  He defies them! Extraordinary dressmaking is an ART in itself.

yohji6yohji5

Along with Issey Miyake and Rei Kawakubo, Yamamoto was, of course, at the fore of an influential wave of avant-garde designers who emerged from Japan in the 1970s and early 1980s.

The film sets out to discover and uncover the many layers of the man, delving into the fascinatingly complex life story of this iconic and visionary craftsman.

Yamamoto opens up like never before.  He invites the viewer behind the curtain and explores his most private and intimate thoughts and feelings. The film sheds light on his artistic approach and creative working process, contrasting them directly with how he sees the “Fashion” industry today and the direction society in Japan and as a whole, is heading towards.

Interviews with key figures – family, friends, employees and closest confidants – provide even more insight into this Japanese artist’s life journey and the core values that he and his clothing embody.  If only we could understand what many of them had to say.

In this version they forgot to add the English sub-titles when they interviewed many of the key figures, mother included. Although Lost in Translation,  I’m sure it was mostly positive.

“I’ve always dreamt of  being free, but it won’t happen in my lifetime.  I have too many people to look after.” – Yohji Yamamoto

Beyoncé wears YY
Beyoncé wearing YY

Condensed from an article in Interview Magazine:

Born into wartime Tokyo in 1943, Yamamoto first studied law, but opted instead to go to work for his mother, a seamstress, and enroll in Bunka Fashion College. It was after a brief sojourn in Paris that he established his first label, Y’s, in Tokyo in 1972, debuting his eponymous line back in the French capital nine years later and blowing away the tight dresses and padded shoulders of the sartorial moment with the billows of dark fabric and a brand of intellectual playfulness that instantly earned him a place as one of the most forward-looking, paradigm-breaking, and versatile artists in contemporary fashion. But for a man whose work has consistently been associated with the cutting edges of things, Yamamoto has always remained remarkably trend-phobic, choosing to operate within a framework that has less to do with the whims of seasons and more to do with the development of ideas, as exemplified by his frequently loose, asymmetrical cuts, enveloping drapes, ample uses of black, and recurring flirtations with sexuality and androgyny.

Never conventionally sexy or trendy (Cathy Horyn of the New York Times has said, “Mr. Yamamoto likes to dissolve sartorial boundaries”), Yamamoto appeals to clients who appreciate wit, romance, and fashion history.

Yamamoto has also collaborated on pieces, collections and lines with a number of other brands, including Adidas (Y-3), Hermès, Mikimoto and Mandarina Duck; and with artists such as Tina Turner, Sir Elton John, Placebo, Takeshi Kitano, Pina Bausch and Heiner Müller.

Trailer:

https://vimeo.com/157722105

 

 

 

 

Culture/History: The Birth of a Nation

Last night I attended the Vancouver International Film Festival’s  (VIFF) premiere of “The Birth of a Nation.” 

birth1 Nate Parker, the films handsome lead actor who is also responsible for writing, producing and directing the cinematic drama about slave rebellion in the deep south was in attendance.  He started off the evening by introducing the movie and saying that getting the script off the ground took several years and several dollars to complete but he’s very proud of the final outcome.  As so he should be. This is an important historical film about a man who virtually got lost in the shuffle, his story being told for the very first time. It is a disturbing masterpiece!

The movie was filmed in Savannah, Georgia where a lot of the Atlantic slave trade originated.  I visited a friend living in Savannah and was charmed by the beauty of the city but not by stories about the past.  The movie struck a chord.

In short, Nat Turner, a literate slave and preacher orchestrates an uprising as he witnesses countless cruelties against himself and his fellow slaves.  This strong willed man decides enough is enough when he resolves to help lead his people to freedom.

Many of the scenes are not easy to witness and as a result there were not many dry eyes in the audience.  Damn, I didn’t bring any tissues!

birth3

When I first heard about the subject matter I was not too interested especially after having seen twelve years a slave, the colour purple and many other slave related films.  While the film is not without the expected appalling brutality and violence, this true story is different from the others. It is well worth seeing. And it makes you question how far we’ve really come in light of current issues evidenced with many recent black shootings.  So maybe it has to be told time and time again….to get the point across…people are people and should be treated equally.birth2

The film will be theatrically released in the United States on October 7, 2016 by Fox Searchlight Pictures.

Trailer:

https://www.youtube.com/watch?v=i18z1EQCoyg