Monday Mood Board #12

ART Immortal – the Holy Grail of art rediscoveries to be auctioned at Christie’s.  If only I had an extra 100 million dollars to spare…. 

Leonardo da Vinci’s “Salvator Mundi,” unveiled recently at Christie’s. Credit: Jewel Samad/Agence France-Presse — Getty Images

In something of an auction coup, Christie’s has secured two blockbuster works for its November Contemporary sale: the last known Leonardo da Vinci in private hands, “Salvator Mundi” or “Savior of the World,” and Andy Warhol’s final silk-screen, “Sixty Last Suppers.” – The NY Times

Andy Warhol’s “Sixty Last Suppers,” at Christie’s New York. Credit: Ilya S. Savenok/Getty Images for Christie’s Auction House

The Leonardo da Vinci work is estimated at $100 million and the Warhol at $50 million. Each has been guaranteed by a third, undisclosed party.

Read the whole New York Times article here:

https://www.nytimes.com/2017/10/10/arts/design/christies-leonardo-da-vinci-and-warhol.html

PICASSO’S OLD ART SCHOOL

L’Académie de la Grande Chaumière,

At the unchanged atelier of L’Académie de la Grande Chaumière, you might find yourself sitting in the very same chair where Pablo and a few of his friends, such as Manet and Cezanne, sat sketching their model a century ago. It’s open to the public for sketching workshops in the afternoon, Monday to Saturday, except on Wednesday when there’s an evening session from 7-10pm. No reservations are necessary, just show up with paper and pencils, no teacher, just the model. (14 rue de la Grande Chaumière, 6eme; See the ‘Free Workshop’ and ‘School’ sections of the website for all prices and timetables: grande-chaumiere.fr/en).  Oh by the way, this is in Paris.

L’Académie de la Grande Chaumière,

Channel Gabrielle, the eternal rebel (new Chanel perfume teaser) with a message

https://www.youtube.com/watch?v=OxYRrb7nJ9M

It’s madness out there

“The statistics on sanity are that one out of every four people is suffering from a mental illness. Look at your 3 best friends. If they’re ok, then it’s you.” – Rita Mae Brown

There is no great genius without some touch of madness – someone said.

 

 

VIFF: Bombshell – The Hedy Lamarr Story

Beauty and the Brain

It’s a complicated story. Hedy Lamarr was one of those women who had it all.  Beauty, brains and a career as a Hollywood actress. Perhaps most famous for her movie Samson and Delilah and a whole bunch of other lesser known films.

Born Hedwig Eva Kiesler in Vienna, Austria, to Jewish parents, she was considered an icon, regarded by fans and critics as the most beautiful woman to ever grace the silver screen. But she had so much more to offer than only her looks and it’s a shame she wasn’t recognized for that.  She also had a beautiful mind.  She could have been a scientist. What is so amazing about this documentary by Alexandra Dean, is that it delves beneath the surface of a legendary glamour queen and 40’s sex symbol to explore the depth of her other talents, specifically her mind.

Of course any legend worth her weight in salt is not without scandal. She was no exception and it was a hot mess.  Six ex-husbands, denounced by the Pope at 18, drug addiction and financial ruin. Can you imagine what kind of reality show that would make?

The Hollywood Reporter:

“A mechanically minded, self-taught inventor, Lamarr was 5 years old when she took apart and reassembled her music box; years later, when she was dating Howard Hughes, she allegedly revised his designs for a plane she knew wouldn’t be able to do what he wanted. Her biggest claim to the glam-nerd hall of fame, though, is “frequency-hopping,” an idea she came up with during WWII: Hearing that Allied forces’ radio-controlled torpedoes could be thrown off course by jamming the frequencies transmitted to them, she teamed with a friend, composer George Antheil, to implement a solution. Perhaps inspired by an early remote-control for home radios, the two adapted the mechanism of player-pianos to propose a system that would skip from one frequency to another as a torpedo traveled, with only the broadcaster and the torpedo knowing which frequency would be used at any moment. The two were granted a patent for the device in 1942, but the Navy rejected it. (They put her to work selling war bonds and entertaining troops instead.) But a version of the design was used in the Cuban Missile Crisis, after the patent expired, and worked its way into practically all modern wireless communications tech. “Wi-Fi and Bluetooth — that’s my mother’s technology,” boasts Lamarr’s son.”

Before even seeing this film I loved watching a rare TV interview where she appeared on the Merv Griffin Show in 1969 joined by Woody Allen.  She had a sense of humor and an amazing personality to boot. A total delight. What a woman!

The Vancouver International Film Festival (VIFF) ends on Friday, October 13th.  If you want to see about tickets please visit: https://www.viff.org/

 

VIFF: The Florida Project

Two things drew me to this film: 1) Willem Dafoe is in it 2) it shows the gritty side of living near a place where dreams come true.

That place is Disney World in Orlando, Florida.

On the other side of the tracks, just outside the magic kingdom lies a bunch of rundown motels originally built for the overflowing tourist trade looking to save a buck but still be close enough to get fairy dusted.

But this is not an enchanting story. It revolves around a specific motel The Magic Castle. A mother/daughter relationship, a place where tough talking families live, barely able to make ends meet, scraping by just to make the monthly rent as the housing crises rises. The inwardly frustrated although patient motel manager, is played outstandingly by Dafoe. But the real stars of this movie are the motel kids who live in a world all their own.  You feel sorry for them, and you also cannot stand them as they go about their precociously uncaring antics. They are, after all, a product of their upbringing.

It is another world to many of us, but too familiar for many others.  A despairing time and place in America; all too real, right now.

It’s a fascinating look from a safe distance into a chaotic world of what is the opposite of enchantment, mostly seen from the eyes of the kids.

Directed by Sean Baker (Tangerine)

One more week left. Check it out @ https://www.viff.org/

 

 

 

VIFF: The Nile Hilton Incident

My reasoning for choosing this feature from the many contemporary world cinema selections were the words “Nile Hilton.”

That’s because I stayed there for almost a month in 1999 (now it’s called the Ramses Hilton) in a beautiful 2-bedroom suite on an executive floor as my husband had business in Cairo.  I would take my coffee on the balcony overlooking the River Nile and enjoy all-day refreshments in the lounge.  It was very decadent at that time and I got to know the staff while Don was working, hung out at the pool and walked a short distance to the Egyptian museum to check out the mummies…more than once.  I got to know a lot of shopkeepers too.  I bought gold jewelry, perfume, leather bags, a silk carpet and a belly-dancing outfit.  I had a lot of time on my hands.  I had my own little incident at the hotel which got resolved quickly with the help of a burly bouncer who came to my rescue, but there were no casualties that I was aware of.

Well that was my first reason. My second was that the movie blurb appeared to be intriguingly film noirish.  It turned out to be better than I had hoped for.  It was a gripping crime mystery filmed on the streets of Cairo; seedy and corrupt. All the elements of a good detective story. It won the grand jury prize at the Sundance Film Festival. This was the Canadian Premiere and the line was loooong.  I sauntered in thinking I had plenty of time to spare but it was already sold out.  I stood in the standby line even with my media pass (“but you don’t understand…I lived at that hotel”).  Just managed to make it, along with my medium bag of $9 popcorn.

An innocent young maid is witness to the murder of a beautiful singer in one of the hotel rooms.  Noredin, The cop who gets involved, (played by Fares Fares, that’s his name) meets resistance at every step of his investigation and you begin to realize that many people are at play here and politics are involved.  Always, right?

The movie is set in a Cairo on the edge of revolution. On January 25, 2011, all across Egypt, millions of protestors from a range of socio-economic and religious backgrounds demanded the overthrow of Egyption President Hosni Mubarak.  As the engrossing story enfolds, it keeps you on the edge of your seat.

To check out more great cinema at VIFF please visit: https://www.viff.org/

 

 

VIFF: A Fantastic Woman & The Killing of a Sacred Deer

Una Mujer Fantástica – A Fantastic Woman (subtitled)

If I didn’t know any better I would swear this movie was directed by Spanish film director Pedro Almodóvar (Volver, All About my Mother). But it was not. Instead it was Chilean director Sebastián Lelio (who made the smash hit Gloria in 2013).

This is a timely film.  Because it is about time that people are more compassionate and at the very least, more tolerant of those who are different than what those of us less broad minded deem to be “the norm” in society.  But guess what?  This is the new normal.

I found this film to be beautiful, disturbing, touching and frustratingly maddening.  It makes you want to fight for equality.

The main character is played triumphantly by Daniela Vega, an actual trans performer.  As Marina, a nightclub singer living with Orlando, her much older heterosexual lover (played by Francisco Reyes) who suddenly dies, you see her struggle in dealing with non-acceptance and disrespect from all angles. From the police who suspect her to be a factor in Orlando’s death, to the ex-wife who doesn’t want her to come anywhere near the funeral because she will only upset the family….she is humiliated constantly. 

Even so, she faces it all with dignity and a strength most of us would envy.  A powerful movie.  A Fantastic Movie!  I give it a score of 5/5.

The Killing of a Sacred Deer is a whole other animal.

Here is a perfect example of two top-notch performers: Nicole Kidman and Colin Farrell being cast in a perfectly flat out psychological disaster of a movie.  Sorry; but that’s just my opinion.  I’m not saying the performances were not good (the characters were supposed to be flat, joyless and strange I’m guessing) but overall it was so disjointed with no explanation given to……too many situations.  But the music was anything but flat.  It was over the top (again; meaning to be) outlandish.  I never saw the film “The Lobster” but apparently it was a pretty good twisted movie, directed by the same person – Yorgos Lanthimos.

In a NUTshell Farrell plays Andrew, a surgeon who’s patient dies while undergoing an operation.  The patient’s son Martin (played by Barry Keoghan) is a total screwball looking to get back at Andrew.  He keeps showing up in oddball places while I keep wondering (trying to make sense of course) why Andrew keeps allowing him access.  Well it is a movie after all so just don’t question the bad sensibility of the surgeon who invites this boy into his home and brings harm to his once happy family.  And it just goes (and goes, and goes on) from there.  And it gets even weirder.  And there’s spoiler alert: NO happy ending.  My final words are:  I’m just not that into this one!

Special mention: Okja

AND here I thought the special presentation of “Okja” was strange………….  although that one had amazing computer-generated imagery (CGI), and Tilda Swinton who did an excellent job (as always) playing the big boss-lady of a huge company manufacturing genetically modified super pigs.  Also, a surprisingly zany Jake Gyllenhall.  It had everything….humor, violence, glamour, scenery, car chases, crazy people, animal rights activists, capitalists, consumers and mostly, an innocent animal friend. I found it very schizophrenic but with outstanding direction from Bong Joon Ho.  Very Hollywood.  Now streaming on NefFlix.

If I lived up in the mountains of South Korea with only my grandfather for companionship, I’d love to have Okja for a pet.

More reviews to follow

Don’t forget to check out the rest of the films playing until October 13th @  https://www.viff.org/

 

 

 

 

ART/FILM/VIFF: Loving Vincent

I put my heart and my soul into my work, and have lost my mind in the process.

This anticipated animated film about Vincent Van Gogh was a real story telling treat.  What’s so amazing about this film is that it is entirely hand painted with Van Gogh’s paintings serving as the backdrop for each frame.  In fact, it is the very first fully painted feature which took seven years to complete.  It’s visually astonishing!

The story takes place in the French village of Arles (a place I visited with my husband where we sat in the famous Terrasse du café le soir.  Yes; that one!

The son of a local postmaster goes around hunting for clues as to why the painter took his own life. There were conflicting reports as to whether he actually committed suicide. The question is really why Vincent went from a complacent quiet man to someone who would take his own life in a matter of weeks.  A look into a complicated, talented but tortured soul.  Sad that in his lifetime he sold only one of his fine works.  Can you imagine?

He saw beauty in the tiniest of objects and in things that most people would deem insignificant.  A man of true genius.

I see paintings or drawings in the poorest cottages, in the dirtiest corners. And my mind is driven towards these things with an irresistible momentum.”

I dream of painting and then I paint my dream – Vincent Van Gogh

Your dream came true, it’s just too bad that you were not around to realize it. 

How people all around the world admire your work and can only dream of owning a piece of you!

Please visit: https://www.viff.org to find out more and how to purchase tickets.  The Film Fest runs until October 13th

 

 

 

 

VIFF: BREATHE & MEDITATION Park

Funny thing about timing that the first two movies I’ve chosen to see at the Vancouver International Film Festival would have the words “Breathe” and “Meditation” – two things that I’m trying to better accomplish.  But enough about me.

Meditation Park

How to make choices?

The first thing I look for when going through the movie listings are the film titles, then to find out who the actors are.  It doesn’t go to prove that actors who are well known will make a better movie, but if I’m familiar with and like the actor’s previous work, I’m more likely to want to see another film they’re in.  But since this is an International Film Festival, you must keep in mind that you will NOT likely be familiar with the talented actors and worthwhile great story telling from a host of other countries.

Then of course the overall synopsis.  But I don’t like to know too too much about the movie because it ruins the element of surprise (which can work out good or bad, depending.) I try to keep it diversified mixing drama, comedy, documentary and thriller. Well done animation is good too  The great overall thing about going to a film fest is that you get to see films firsthand.  And that in itself is exciting enough.  So having said that, here are two simplified reviews to begin:

BREATHE

Oh; and the film clip photos in the booklet attract me.  The romantic, dreamy looking picture has two actors whom I admire: Claire Foy (she played Queen Elizabeth II in the Netflix series “The Crown” which I became addicted to) and Andrew Garfield (Hacksaw Ridge, The Amazing Spiderman). Suffice to day that was enough of a decision for me to say YES.  Bonus: Hugh Bonneville (Lord Grantham in Downton Abbey – watched ALL episodes as it was one of my favourite series).

Breathe is an inspiringly beautiful but tragic story.  In a debut directorial role, Andy Serkis directs the true story of the parents of his best friend and producing partner, Jonathan Cavendish.

It’s about how a couple, Robin and Diana Cavendish refuse to give up their fight when Robin is struck down by polio at only 26 years old, and just before he is about to become a father.  It’s about how people face challenges and overcome hardship in the face of adversity and with a debilitating disease. It is heartwarmingly sad and uplifting at the same time.

MEDITATION PARK

This film was chosen for the Opening Gala.  Directed by Mina Shum, it’s filmed entirely on Vancouver’s East Side & Chinatown.  While I’m familiar with incredible actors Sandra Oh and Don McKellar, the real star of this film is Cheng Pei Pei (Crouching Tiger, Hidden Dragon) who plays Maria.  A  traditional  first generation immigrant Chinese wife, Maria turns a blind eye to her husband’s (played by Tzi Ma) infidelity at first, but when she decides to break from convention, take charge of her life and become more independent, all hell breaks loose.  It is charmingly funny in part and because I live in Vancouver, partly familiar.

The only common denominator between the two films is that they are family dramas.

VIFF is on until October 13, 2017. For information and to purchase tickets please visit: 

https://www.viff.org

 

Feel-good Friday: Film Fest

It’s that time of year again!

The 36th Vancouver International Film Festival (VIFF). Otherwise known as movie marathon mayhem.  Well not really; because I’m planning to pace myself to no more than three movies per day.  Actually that will only happen one day, because a few of my weekly evenings are tied up with other commitments.  And it could not come at a better time as I’m really looking forward to losing myself in this years most anticipated international films, new discoveries, special presentations, documentaries, contemporary world cinema, and a spotlight on French filmmaking.

And after having carefully leafed through the VIFF guide and marking down my choices, I’ll be happily sharing my thoughts about each film.  Stay tuned…(especially if you’re a film buff).

VIFF takes place from September 28th to October 13th 2017.  For more information and to purchase tickets please visit:

https://www.viff.org/

Beauty/Culture: the Hoop Earring

Every fashionable woman owns at least one pair of hoop earrings.

Photo; Mitchell Sams

At Marc Jacob’s Fall/Winter 2017 show models stomped down the runway with shiny gold hoop earrings.  They ranged from giant three-tiered hoops to a single thin hoop with a diamond encrusted key dangling from it.

From Marc Jacobs show

In the Spring Box  of Style from Zoe Report were these earrings.

The collection, which was also full of oversized fur collared jackets and monochromatic tracksuits, was inspired by the early days of hip-hop.

“It is an acknowledgement and gesture of my respect for the polish and consideration applied to fashion from a generation that will forever be the foundation of youth culture street style,” Jacobs explained in the show notes.

Hoops are one of the most attractive styles of earrings and they come with a story. Anything interesting comes with a story.

Unfortunately, not everyone who borrows from street culture is as eager to acknowledge the contributions of people who created it. The round jewelry has been a favorite accessory for decades from Cher in the 1960s to Madonna in the 1980s, but hoop earrings have a deep-rooted history in communities of color.

This cultural significance of the hoop earring was brought to light recently when three Latina students painted a message to their fellow classmates at Pitzer College in California about their earrings. They scribbled “White girls, take off your hoops” in bright yellow spray paint on a wall outside of a dormitory, after they noticed an influx of their peers wearing oversized hoop earrings.

Photo: Elliot Dordick, The Claremont Independent

Alegria Martinez, one of the students responsible for the graffiti, wrote an email to the student body that stated that they were sick of white women appropriating styles that “belonged to black and brown folks who created the culture.” The controversy came shortly after Elle dubbed the hoop earring a must-have accessory for fall, thanks not only to Marc Jacobs, but others like Fendi and Michael Kors.

Designers, celebrities, and even retailers have been long accused of taking styles from marginalized groups they think are “cool” without any consideration for the context. Last November, people took to social media to call out Urban Outfitters when it attempted to re-brand oversized gold doorknocker earrings. “The same earrings that people find ratchet or ghetto on black women are now $16.00 and sold at hipsters R us. These are literally a dollar at the nearest black hair store. My culture says you’re welcome,” one woman wrote in a Facebook post that has now been shared over 21,000 times.

Hoop earrings have a very long history dating all the way back to the ancient Sumerians from modern-day Iraq in 2600 B.C.  Different variations of the hoop have been adopted by a range of cultures around the world, from the Hmong women of Vietnam to the Gadaba tribe of India, as Vogue points out. But, in America, the style has often been adopted by women of color in an effort to reclaim their culture and celebrate their history.

Hoop earrings became especially popular among African American women during the Black Power movement in the 1960s when many were embracing Afrocentric dress. From activists like Angela Davis to artists like Tina Turner, more women were adopting an African-inspired look that embraced natural hairstyles and hoop earrings.

As Tanisha C. Ford writes in her book, Liberated Threads: Black Women, Style, and the Global Politics of Soul, “In African-inspired clothing and large hoop earrings and sporting Afros and cornrow braids, Americans and Britons of African descent envisioned soul style as a symbolic baptism in freedom’s waters through which they could be reborn, liberated from cultural and social bondage of their slave and colonial past.”

The statement jewelry carried on into the 70s when it was embraced by disco divas like Diana Ross and Donna Summer. When the 80s rolled around, their thin gold hoops were traded for thick gold “door knocker” and bamboo hoop earrings by hip-hop artists like Salt N Pepa and MC Lyte.

By the 1990s, oversized hoop earrings were a fixture of Chola style, which was embraced by working-class Mexican American women in Southern California. The radical look was defined by slicked-down baby hairs, dark lip-liner, and door-knocker hoop earrings.

But, it was about more than just fashion. As Barbara Calderón-Douglass writes in her piece “The Folk Feminist Struggle Behind the Chola Fashion Trend,” “The chola aesthetic is the result of impoverished women making a lot out of the little things their families could afford.”

Martinez, who grew up in Southern California, says she sees the style as a form of resistance. “We are women of color from Los Angeles, Long Beach, and San Bernadino and that is where this cultural style comes from,” explained Martinez. “Whenever we wear our hoops, or when I wear bold eyeliner and red lipstick, I feel really proud to be from that background.”

Fashion has always taken influences from different cultures. The problem with appropriating styles like hoop earrings is that many women of color still can’t wear these “trends” without facing discrimination for looking too “ghetto.” Not to mention, many of those who are eager to slip on a pair of hoop earrings fail to use their platform for any meaningful discussion about race.

Photo: Flickr Creative Commons, artist Helena Metaferia

Just last season Marc Jacobs faced a fury of appropriation accusations when he sent a predominantly white cast of models down the runway wearing colorful pastel dreadlocks. The designer had attributed the collection to the style of club kids, but failed to mention that the hairstyle has history in African culture. So, when the designer made a point to attribute his fall 2017 aesthetic to the early days of hip-hop and the people of color who created it, many were eager to praise him for finally appreciating the culture rather than merely appropriating it.

Hopefully, more in the industry will take note.

Source for this Story: http://i-d.vice.com