Monday Mood: Couture Beyond

It’s been a while since I’ve had some serious Style Inspiration but this goes beyond.  This is global fashion culture. I’m talking about the first Canadian exhibition devoted to the work of Guo Pei, China’s preeminent couturière, and the first fashion exhibition ever presented at the Vancouver Art Gallery.  In collaboration with SCAD FASH MUSEUM OF FASHION + FILM.  On until January 20, 2019.  Simply Superb!

Photos: d. king

Featuring more than forty complete looks from Pei’s most iconic runway shows from 2006 to 2017.   Theatrical, extravagant (no kidding) creations combining contemporary aesthetics, production methods and materials with ancient tradition, evoking Chinese history and mythology in her technique with fabric selection and imagery.  These photos do not do her justice.

Photos: d. king
Rhianna wore this gown to the Met Gala.  It is made of silk & fox fur.
Photos: d. king

If you get the chance I highly recommend checking it out.  To date it is definitely the most magnificent display I’ve ever come across in fashion.

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Film: Colette

You will do foolish things, but do them with enthusiasm 

Quote by the “Real” Colette

I don’t know what I enjoyed most about this film.  The story, the setting or the exquisite costumes.

For those not familiar, Colette was a French novelist nominated for the Nobel Prize in Literature in 1948. Keira Knightley gives the performance of her professional career as Sidonie-Gabrielle Collette in her earlier years as she turned Paris upside-down with her life and work.

As a writer, performer and a feminist, Colette attracted controversy and lived life to the fullest.

Movie Still

You may think that you know nothing of Colette’s writings but many of her works are well known around the world. The film “Gigi” starring Audrey Hepburn was adapted from Colette’s book of the same name and several of her writings have been adapted for the stage and screen.

She was a fascinating woman, married at the age of 20 to a writer and music critic of whom it was said he was a “literary charlatan and degenerate”.  Whilst married to Henry Gauthier-Villars she wrote her first books (Claudine series) using his nom de plume “Willy”. The books scandalized France – and made the pair plenty of money.

She was the first woman to be given a state funeral in France before being laid to rest in 1954 at the Père Lachaise Cemetery (the same cemetery I once visited where Oscar Wilde is also laid to rest).

Brief synopsis:

Co-starring a perfectly cast Dominic West as Colette’s libertine first husband, the charming rogue and writer known only as “Willy” who took credit for Colette’s first four novels while sharing a lover with her, Westmoreland’s biopic traces the writer-actor’s life from her provincial upbringing to her halcyon days causing an uproar in the salons and vaudeville theatres of Paris. The core of the film, however, is her fraught relationship with Willy and how the constraints and slights she faced ended up engendering a writing career that made her one of France’s most beloved artists. This is a heady, champagne cocktail of a film made all the more delightful by Knightley’s bravura turn.

Our perfect companions never have fewer than four feet – Colette

Source: VIFF & The Good Life France

Visit Viff.org to see more intriguing films until October 12th

Film: The Happy Prince

The world is a stage but the play is badly cast – Oscar Wilde

Rupert Everett as Oscar Wilde

Poet and Playwright Oscar Wilde is famous for many reasons.   I’m most familiar with his whimsical satire of Victorian society The Importance of Being Earnest – a classic about love, deception and mistaken identity.  A great character study… perfectly cast.

 And I saw his lipstick covered tomb at the renowned Père Lachaise Cemetery in Paris, France.

Other than that, I learned a lot more when viewing the special presentation of THE HAPPY PRINCE at the Vancouver International Film Festival (VIFF) yesterday.

No man is rich enough to buy back his past – Oscar Wilde

Actor Rupert Everett gives a simply remarkable performance as Wilde. He also impressively wrote and directed this powerfully empathetic account of the last years of the legendary Irish writer.

A short synopsis:

After spending two years in prison for his homosexuality—”gross indecency” was the official conviction—Wilde exiled himself to Paris, where he continued his self-destructive lifestyle while living in penury. Buoyed only by occasional contact with old friends Reggie Turner (Colin Firth) and Robbie Ross (Edwin Thomas), and with his wife (Emily Watson) and two sons far away, he’s a desperately lonely man who assuages his pain with alcohol, drugs and a succession of young men.  Everett was born to play Wilde, and his open, deeply felt film both honours his idol and conveys the essence of a man who, deprived of the things that make life worth living, maintained his ironic sense of humour until the end.

I can resist everything except temptation – Oscar Wilde

More exciting cinema until October 12th at:

Viff.org

Documentary: ANTHROPOCENE – The Human Epoch

A masterful collaboration by documentarians Jennifer Baichwal and Nicholas de Pencier.

A world class documentary that is equally stunning and disturbing. Surreal and sobering. The mind boggling cinematography by legendary photographer Edward Burtynsky was the stunning part.  The disturbing part was everything else. It showcases to great effect our unprecedented impact on planet Earth to date.

And there was a lot to be captured.  And there is a lot to be fearful for.  And there is a lot to change…if we still can.

Concentric Circles Forming In Still Water

A short synopsis: scenes of almost inconceivable scale such as monolithic machines hell-bent on terraforming their surroundings, land-fill sites staffed by thousands, heaps of elephant tusks piled high and set aflame, concrete seawalls lining China’s coastline, on and on.  Only some of the things humans are responsible for that endanger and change the structure of the planet.

I knew it wouldn’t be a feel-good film.  But it was a necessary one.  Which brings me to this famous quote:

Seeing is Believing

More films until the 12th at:  https://viff.org/

 

 

 

 

 

 

 

 

For the Love of Film

It’s that time again…Following TIFF (Toronto International Film Festival).  Leafing through the booklet (shown above) there are too many films that I’m anxious to see.  A Sampling:

ANTHROPOCENE: The Human Epoch

Okay; not feel-good but necessary knowledge:
The latest masterful collaboration between Jennifer Baichwal, Nicholas de Pencier and Edward Burtynsky isn’t so much eye-opening as mind-blowing as it essays our unprecedented impact on the Earth to stunning effect. The staggering tableaux captured here are at once surreal and sobering, including monolithic machines hell-bent on terraforming their surroundings and potash mines that evoke a bad drug trip. This is filmmaking of the highest order that unfolds on a dizzying, almost inconceivable scale.

Bathtubs Over Broadway

MAD | Music/Art/Design     (Because I LOVE Broadway Musicals)
Where did Chita Rivera, Martin Short and the late Florence Henderson (all present here) get their starts? In “industrial” musicals–musicals commissioned by corporate America from the 50s through the 80s to entertain employees and celebrate, say, bathroom fixtures or Fords… Dava Whisenant’s supremely entertaining film follows industrial musical obsessive Steve Young (a writer for David Letterman, who also appears) as he uncovers a hidden world. “Get ready to laugh, sing, cheer, and be dazzled.”—POV

In My Room (Israel)

Impact | VIFF Impact
Deeply intimate, unexpectedly moving and entirely of its moment, Ayelet Albenda’s documentary unfolds through footage culled from six teenagers’ self-produced YouTube videos. Make no mistake: these aren’t social media stars or influencers. They’re just average kids documenting their trials (including pregnancy and eating disorders) and trying to make some sense of them. The remarkably honest moments they share quickly coalesce into an involving study of the myriad iterations of adolescence.
I’ll be focusing on reviewing a bunch of diverse cinema during the festival.
Source: taken from VIFF website.
Have a great weekend!

Paper Diaries

Art speaks where words are unable to explain – Unknown

Diary of a Leitmotif

Leitmotif is a term originating from opera, where it referred to a recurring melody or  that played along with a character or allusion to a theme (idea or situation) whenever one or the other appeared on stage. It derives from the German words for “leading” (leit) and “motive” (motif).  But these are only words.

Last Thursday I attended the opening of Berlin based artist Deborah Wargon’s Diary of a Leitmotif at the Back Gallery Project on Vancouver’s East Side.  A most intricate and thought-provoking display of lines, contemplations and vibrations. Made from elaborately cut paper works and presented like archived insects in entomological display drawers from the Natural History Museum, Berlin.

Our fellow friend & filmmaker Ann Marie Fleming curated this intriguing exhibition which runs until October 8th.

With Deborah Wargon against a painstaking paper cut backdrop

More info:

www.backgalleryproject.com

Art enables us to find ourselves and lose ourselves at the same time. – Thomas Merton

Healing Art: Picasso’s Guernica

The other day I wrote briefly about the importance of using ART in all its various forms (to view, read or listen to) as a healing tool for managing grief. Here’s one of the best remarkable examples of a great art piece created out of tragedy to commemorate a terrible time in history:

Probably Picasso’s most famous work, Guernica is certainly his most powerful political statement, painted as an immediate reaction to the Nazi’s devastating casual bombing practice on the Basque town of Guernica during the Spanish Civil War.

Pablo Picasso, Guernica, 1937, oil on canvas, 349 cm × 776 cm. (Museo Reina Sofia, Madrid)

Guernica shows the tragedies of  war and suffering it inflicts upon individuals, particularly innocent civilians.  This work has gained a monumental status, becoming a perpetual reminder of the tragedies of war, an anti-war symbol, and an embodiment of peace.

On completion, Guernica was displayed around the world in a brief tour, becoming famous and widely acclaimed.  This tour helped bring the Spanish Civil War to the world’s attention.

Another reason why ART is so important in recovery.

 

 

 

 

The HyperRealistic ART of Omar Ortiz

The opposite of Abstract

Omar Ortizborn in Guadalajara, Mexico (1977) where he still resides.

His paintings are surreal.  His work is characterized as minimalistic – described as hyperrealism where the human body is predominate, done in oil with texture-filled backgrounds.  He has also worked with pastels, charcoal, watercolor, acrylics, and airbrushing.

Omar describes his work:

“Since I started painting I have always tried to represent things as real as I can.  Sometimes I succeed and sometimes not, but it’s a fact that it is very difficult for me to do the opposite.  I really enjoy the challenge of reproducing skin tones under natural light and the nuances that it gives us, particularly in bright conditions.  I like to keep simplicity in my pieces since I believe that excess make us poorer rather than rich.”

Art moves us.  Everyone should be in agreement with this.  While we may not all agree on liking a specific piece enough to want to hang it in our home, we can admire the work for what it is and the dedication involved in bringing something to life and/or giving us something to ponder.  Everyone can visualize something different in abstract, but in realism everyone sees the same – it’s like looking in the mirror (technically speaking).

Music/Culture: OPERA in the PARK

Opera unites music, poetry, drama, and spectacle in the most elaborate of all art forms.

So it was an absolute pleasure to finally attend “Opera in the Park“, the Palm Springs premier cultural event in April .  This is the first time I’ve stayed here this long.  Usually I’m gone by the end of March because it gets too hot here, but this time I decided to stay a little longer. The event takes place at Sunrise Park which is a very short drive from where I live (part-time of course).

I originally had a spot reserved under the big white tent but decided to sit on the grass just outside it in a shady area with my lawn chair and the lunch I packed because I wasn’t sure they’d have food.  But they did have food and drinks.  And souvenirs. Most people were sitting outside the tent. It was lovely.

This live concert with arias from operas by Bizet, Delibes, Donizetti, Gounod, Mozart, Puccini, Rossini and Verdi draws thousands of people from all over Southern California every April in a celebration of great music with a professional orchestra conducted by Valery Ryvkin. In addition, a special tribute to Leonard Bernstein’s Centennial featured music from West Side Story and Candide.  It also marked the 20th Anniversary of Opera in the Park.  Oh, did I mention that it’s free? 

The Palm Springs Opera Guild Orchestra performed from 1-4 pm with famous operas including  Carmen, Rigoletto, Madame Butterfly, La Traviata, Faust and more.

There were food vendors from well known establishments offering delicious sandwiches, salads, platters, wine, beer, and cocktails.  You could even pre-order online from Trio restaurant.

Presenting Sponsors: The Augustine Foundation and

*Newman’s Own Foundation

Using the power of philanthropy to transform lives*Newman’s Own Foundation is all about supporting people doing great things.  People whos stories inspire us.

This month there’s also Coachella, a more famous and  enormously profitable music festival with a great long lineup.  A lot of musicians whom I’m familiar with and many I’m not.  But it was actually Opera in the Park that I really wanted to go to.  Coachella maybe another time.

Have you been to either?

Opera in the Park: Music Director: Mona Lands.  Artistic Director: Andrew Eisenmann.

Art/Culture: National Theatre presents “Cat on a Hot Tin Roof”

Last Thursday I had the opportunity to see a special performance from London’s National Theatre of Tennessee Williams’s 1955 Pulitzer Prize-winning play

Cat on a Hot Tin Roof

Sienna Miller & Jack O’Connell in the starring roles. Show image photography -Charlie Grey.

But I saw it from the comfort of my seat at the Camelot theatre in Palm Springs.

When my friend Megan told me she had an extra ticket for the showing I actually thought we were going to watch a live stage performance.  It was instead a pre-recorded live performance in select cinemas around the world for one night only.  And to my surprise it was very much like being right there in person. Or at least the closest thing to experiencing the actual feeling of sitting in the theatre. This was the first I’ve heard of National Theatre Live.

Scene from the play.  Production photography – Johan Persson.

National Theatre Live was founded specifically to bring access to the incredible live performances of The National Theatre and shares them with audiences who may not have the opportunity to go to London’s West End to see them.

Broadcasts retain the feeling of a live performance and though each broadcast is filmed in front of a live audience in the theatre, cameras are carefully positioned throughout the auditorium to ensure that cinema audiences get the ‘best seat in the house.’  I was amazed at how good it was.

I vaguely remember seeing the movie about a tempestuous marriage in a dysfunctional family with lots of secrets and lies.  In the original it was Paul Newman and Elizabeth Taylor in the title roles and I thought who would ever be able to outdo them?  But this play, directed by Benedict Andrews managed to pair a wonderful Jack O’Connell as drunken husband Brick, and an amazing performance by Sienna Miller as Maggie “the cat”, Brick’s neglected wife. It’s a steamy family fight for survival that’s complex, riveting, disturbing and poetic all at once.  I have to admit their Mississippi accents makes the fighting and arguing sound that much more romantic.

So unless I’m actually in London, I’ll be on the lookout for more of these cinematic events by this exceptional company.

ABOUT NATIONAL THEATRE LIVE
National Theatre Live launched in June 2009 with a broadcast of the National Theatre production of Phèdre with Helen Mirren. NTL captures live performances from the National Theatre and from other theatres in the UK and broadcasts them in more than 2,500 movie theaters and other venues in 60 countries worldwide. As of February 2017, the global audience reached almost 8 million people.

Next Production is Hamlet – The 2015 broadcast, with Benedict Cumberbatch in the title role, returns to UK and international cinemas.

Have you seen one of these?