THE CHEF AND THE DARUMA

Thoughtfulness, Timing, Tradition, Taste…Tojo’s…

Photo: Courtesy of VIFF

This was part of the Vancouver International Film Festival 2024

Words that represent Vancouver’s Japanese-Canadian Celebrity Chef Hidekazu Tojo.  

I loved everything about this world premiere documentary except telling a friend of mine that I’d meet her next door to the theatre for Italian, when I was actually craving sushi.  Especially after watching Tojo prepare his mouth-watering dishes on screen. Tojo is more than a sushi chef. He’s an Artist. He started out working at restaurants in his home town of Kagoshima, Japan before becoming a chef at various restaurants in Vancouver, until opening his eponymous “Tojo’s” in October, 1988. There, he was able to have control over putting his signature spin on everything. After 18 years at the same location, in 2007 Tojo moved his restaurant to a new custom-designed setting a few blocks east of its original location. The place has been packed since day one.

Good food is always memorable.  Great food is unforgettable. I was once treated to an extraordinary birthday dinner sitting at the counter at Tojo’s with Tojo preparing all the dishes himself; carte blanche.  The dinner included sake too.  That’s when I realized that there’s sushi and then there’s sushi. There’s also many other dishes that are delicious that don’t include raw or cooked fish. Tojo does it “His Way.” It’s not so much a restaurant as it’s an experience. His food is elegant, modern and fresh –using local ingredients.  He’s a weekly regular at the Farmers Markets.

Tojo’s has earned admiration along with a cult following over the years. The restaurant has become a foodie destination. Photos with celebrities like Harrison Ford, Robin Williams, Martha Stewart, Anthony Bourdain and countless others who’ve enjoyed his creations line the walls. but none with me..so far

He’s credited with inventing the California Roll when one of Tojo’s regular customers mentioned that his wife didn’t like to each raw fish.  Always aiming to please, Tojo tried to Westernize the roll by adding the non-traditional ingredient of avocado and turning the roll inside-out to hide the nori (seaweed).  Not only did he succeed in creating a new popular roll, it’s become a mainstay pretty much everywhere since then. He’s a true pioneer.

However, this documentary doesn’t only focus on food.  It also talks about Tojo’s life and legacy, his upbringing, Japanese culture in general and an interesting and unsettling look at Canadian-Japanese history.

I always like to personalize my blog posts (if I can).  In this case, I lived in Japan for six months in my mid 20’s and that’s where I reluctantly tried sushi for the very first time.  There were very few restaurants in Vancouver that served sushi then.  I embraced the culture and the food immediately.  Aside from sushi, I also loved the noodle houses. I took a sushi making class and was super excited to share my talent for making it for my parents when visiting them in Montreal.  They never ate raw fish before, so I started out with making California Rolls (including the more challenging inside out rolls) using semi-cooked tuna (baby steps) and my trusty sushi roller and the sharpest knife in the drawer.  They appeared to be very impressed with the presentation but I don’t think they enjoyed the taste.  It’s taken a while for Westerners to get accustomed to eating raw fish. Now there’s so many Japanese restaurants in Vancouver, but not all are created equal.  

Where does the Daruma come it, and what does it represent?  There are references throughout this documentary about those little round dolls you’ve seen before with the missing eyes.  They sometimes topple over but get right back up.  There’s a message here.  The Daruma is seen as a symbol of good luck, happiness and endurance. People traditionally buy these lucky dolls at the start of the year, make a wish as they color in the doll’s left eye, and then work towards their goal. Once the goal is achieved, they fill in the other eye. The Daruma is modeled after the famed Buddhist monk Daruma, who founded the Zen sect 1,500 years ago. The doll has also become commercialized by many Buddhist temples as a setting of new goals.  It’s really a symbol of gratitude. Tojo always has a Daruma to show his appreciation for setting and accomplishing goals .  I think I’m going to get one too.  My first goal will be to get the doll and my second goal will be to start setting new goals.  So that should mean that I can color in both eyes right away. So easy!

World Premiere at Fifth Avenue Cinemas

Taken from the VIFF Website:

For 36 years, Tojo’s has been a mainstay in the Vancouver food scene, beloved by critics, foodies, and a plethora of celebrities. A pioneer of Japanese cuisine in the West, chef Hidekazu Tojo helped bring sushi to the mainstream and is known as the inventor of the California Roll. Still working in his seventies, chef Tojo is inspired to look back on his life and ponder the legacy he will leave behind. He recalls his early years as a Japanese immigrant, coming to Canada at the age of 21, and his ambition to create a singular culinary path. We also accompany the chef on a return trip to Japan, where he connects with locals and explores new food trends.

Shot in Vancouver, Vancouver Island, and Japan, The Chef & the Daruma is a mouth-watering film tracing a journey of immigration, identity, and reinvention. Mads K. Baekkevold, in his first feature documentary, creates a loving tribute to a man who has devoted his life to sharing food.

You can still find Tojo at the counter.  Here’s a link to a Limited-time special Fall menu at Tojo’s restaurant:

https://tojos.com/daruma

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Sushi Photos taken from Tojo’s Restaurant Website

 

CAN I GET A WITNESS?

Vancouver International Film Festival (VIFF) is celebrating 43 years of showcasing exceptional cinema in an exceptional environment – beautiful Vancouver.   You’ll see some of the best cinema from around the globe, one-of-a-kind live performances, talks, industry sessions, and other unique events celebrating film and film culture. I try to never miss this festival. 

This year, due to other events and circumstances I’m starting later than planned.  Better late than not at all, right?  Last night I went to a theatre close to where I live (VIFF is expanding their viewing theatres to include a few more – other than the downtown area – YAY!)  I saw CAN I GET A WITNESS? at Fifth Ave Cinemas to full capacity seating.  The timing of this movie is supposed to take place in the very near future; maybe too near for most.  I didn’t realize that it was filmed in Powell River; a city known for its natural beauty, world-class rock climbing and home to the Sunshine Coast Trail, until the credits.

This particular film has been creating some BUZZ.

I like to say…,.Remember the Past, Think about the Future, but Stick to the Present.

Kiera Jang as “Kiah”-  Photo courtesy of VIFF

Sometimes the present sucks! Especially if you’re about to turn 50! And you probably don’t even know what I mean by this if you haven’t seen the movie.  Turning 50 is a milestone for everyone who is lucky enough to turn 50… but in this movie it means much more than a milestone. It’s the end of an era – namely, your personal era

Everyone should see this film. This movie is full of surprises as it reflects on the past and all the damage we’ve done to the planet, but looks to saving the future. And like life in general, you have to take the good with the bad.  CAN I GET A WITNESS? premiered at TIFF, but knowing that it would be showing in Vancouver, I purposely waited to see it at Fifth Avenue Cinemas, now part of the VIFF lineup.

With Ann Marie Fleming. Photo: Kiera Jang

It is certainly a coming of age movie, but not what you might think, and I don’t want to give it all away.  Writer, Director and Co-Executive Producer Ann Marie Fleming wants to give you something more crucial to contemplate  It’s nothing to do with anti-aging (an overdone concept to begin with) like some of the more recent movies I’ve seen that deal with starting over after 50, such as “The Substance” or “The Last Showgirl” which is basically you’re overonce you’re over 50 (with themes that resort to doing anything to keep youthful and another when you must start over from scratch after having done the same job for 30 years).  But what if after you turn 50, your life really is over?

This is one of the more profound movies I’ve seen in a long time – maybe ever.  It covers many current world and personal issues while giving viewers lots to think about.  However, it’s as gentle as it’s extreme.  As beautiful and insightful as this film is; it’s equally scary and sad.  Even though the timing is set in the near future, it appears a little old fashioned; or as the VIFF Guide says; remarkably folksy. Yes, it is; especially considering the subject matter.  It also has some charmingly animated  objects that show up here and there…a sprinkling to give an unexpected, more dreamy innocent effect….along with the more dramatic nuances.  Contradictions that make perfect sense in a sometimes senseless world.

My thoughts are that you will leave the theatre feeling different and questioning human choices and giving more thought to how we can improve the planet.  At least that’s my hope…because if life imitates art, we’re all in trouble.  If art imitates life, we may have a chance.

From the VIFF Guide:

Ann Marie Fleming takes us to a time when humanity has survived the global environmental crisis, but only at a steep price. As the film opens, Kiah (Keira Jang) is preparing for the first day of a new job, while her mother Ellie (Sandra Oh) is readying herself for a new journey of her own. Over the next two days, Kiah and her co-worker Daniel (Joel Oulette) perform their duties as official witnesses; together, they’re helping fulfill a global mandate to protect all life…

CAN I GET A WITNESS? is a film in which the important facts emerge gradually; as it builds to its powerful conclusion, the pace is leisurely and the style is deceptively casual. Fleming has a great ear for dialogue, and she directs with a strong attention to the nuances of human interaction. Jang and Oulette give subtle and convincing performances, and Oh is wonderful as always.

About:

Ann Marie Fleming is an award-winning visual artist, writer, director, animator and cross-platform media maker who has worked in a variety of genres (animation, experimental, documentary and drama). Her work often deals with themes of family, history and memory.

Ann Marie’s 2003 feature documentary The Magical Life of Long Tack Sam, based on the life of her magician and acrobat great-grandfather, won both the Grand Jury and Best Documentary Prize at the San Diego Asian Film Festival and the Best Documentary Prize at the Victoria Independent Film and Video Festival in Canada. And her animated feature film, Window Horses, received numerous international awards, including Best Animated film at the Asia Pacific Screen Awards and the Gijon International Film Festival in Barcelona.

Filmography: The Magical Life of Long Tack Sam (2003); The French Guy (2005); Window Horses (2016).  

Sidenote: I saw The French Guy AND Window Horses.  Excellent, diverse films that focus on cultural values.

Link for tickets (still a few more days left):