VIFF: Emilia Pérez

Blood, Ballads, Dance Numbers, Drug Lords, Surgery…

Photo courtesy of viff

Plenty of surgery…

This movie was chosen as the closing film at VIFF. It’s a strong message about how everyone deserves to live an authentic life no matter what the circumstances or the cost.  And if money is no object,  there could still be a price to pay!

I’d like to start off by saying that I have no personal connection to this movie – none!  I have no intention of harming any cartel members. Okay; having said that…this movie is like nothing you’ve ever seen before. I think that anything I write here will not do it proper justice.  It needs to be seen to be believed.  It’s a work of art; really! With this movie I had no idea what to expect, and I was in awe of the actors’ ability to pull off such a complicated and interesting story with such believability and style.

If you love musicals, gun violence, reality TV and court dramas, you’ll probably love this movie. It covers all genres and interests. It does have a lot going on; but somehow it manages to all come together.  It’s an incredible accomplishment from director Jacques Audiard (A Prophet; Rust and Bone) to make something like this work.

The cast of Zoe Saldana (Rita, a Mexico City defence attorney), Selena Gomez (Jessi – drug lord’s wife) and Karla Sofía Gascón (leader of a criminal organization before becoming Emilia Pérez) is outstanding. Gascón especially is absolutely mesmerising to behold as a cartel leader before transitioning to become a woman striving for actualization and redemption. This is Oscar-worthy material.

The Spanish actress was the first transgender woman to win an award for this film which premiered at the Cannes Film Festival last May.

I had to give a little more away than planned so readers can understand what they’re in for.  However; there’s still so much left out that believe me, you’ll still be surprised to find out where the direction takes you.

In an interview with Variety Magazine Gascón said that she felt that it was “absolutely obvious” that she had to play both roles. “I do not see which actor would not have had this desire to follow their character in all its evolution,” she said, adding that “very few actors and actresses” get roles like the one she got in “Emilia Pérez.” “I haven’t seen many roles like it, not even with Javier Bardem or Marlon Brando’s careers.” Gascón admitted, however, that she dived into the role so deeply that she struggled to come out of it once filming wrapped.

I can only imagine. She did an impressive job of portraying two amazing characters.  Zoe Saldana was excellent.  I wasn’t really familiar with her work, but she’s amazing. 

I would recommend this movie for anyone wanting a departure from the norm with something unexpected and exciting. And very well executed (to be taken two ways).

This movie is scheduled to be released to multiple theaters on November 1st.

The festival is now over, however you can enjoy movies that are part of VIFF playing all year round.

Here:

https://viff.org/#year-round-series

THE CHEF AND THE DARUMA

Thoughtfulness, Timing, Tradition, Taste…Tojo’s…

Photo: Courtesy of VIFF

This was part of the Vancouver International Film Festival 2024

Words that represent Vancouver’s Japanese-Canadian Celebrity Chef Hidekazu Tojo.  

I loved everything about this world premiere documentary except telling a friend of mine that I’d meet her next door to the theatre for Italian, when I was actually craving sushi.  Especially after watching Tojo prepare his mouth-watering dishes on screen. Tojo is more than a sushi chef. He’s an Artist. He started out working at restaurants in his home town of Kagoshima, Japan before becoming a chef at various restaurants in Vancouver, until opening his eponymous “Tojo’s” in October, 1988. There, he was able to have control over putting his signature spin on everything. After 18 years at the same location, in 2007 Tojo moved his restaurant to a new custom-designed setting a few blocks east of its original location. The place has been packed since day one.

Good food is always memorable.  Great food is unforgettable. I was once treated to an extraordinary birthday dinner sitting at the counter at Tojo’s with Tojo preparing all the dishes himself; carte blanche.  The dinner included sake too.  That’s when I realized that there’s sushi and then there’s sushi. There’s also many other dishes that are delicious that don’t include raw or cooked fish. Tojo does it “His Way.” It’s not so much a restaurant as it’s an experience. His food is elegant, modern and fresh –using local ingredients.  He’s a weekly regular at the Farmers Markets.

Tojo’s has earned admiration along with a cult following over the years. The restaurant has become a foodie destination. Photos with celebrities like Harrison Ford, Robin Williams, Martha Stewart, Anthony Bourdain and countless others who’ve enjoyed his creations line the walls. but none with me..so far

He’s credited with inventing the California Roll when one of Tojo’s regular customers mentioned that his wife didn’t like to each raw fish.  Always aiming to please, Tojo tried to Westernize the roll by adding the non-traditional ingredient of avocado and turning the roll inside-out to hide the nori (seaweed).  Not only did he succeed in creating a new popular roll, it’s become a mainstay pretty much everywhere since then. He’s a true pioneer.

However, this documentary doesn’t only focus on food.  It also talks about Tojo’s life and legacy, his upbringing, Japanese culture in general and an interesting and unsettling look at Canadian-Japanese history.

I always like to personalize my blog posts (if I can).  In this case, I lived in Japan for six months in my mid 20’s and that’s where I reluctantly tried sushi for the very first time.  There were very few restaurants in Vancouver that served sushi then.  I embraced the culture and the food immediately.  Aside from sushi, I also loved the noodle houses. I took a sushi making class and was super excited to share my talent for making it for my parents when visiting them in Montreal.  They never ate raw fish before, so I started out with making California Rolls (including the more challenging inside out rolls) using semi-cooked tuna (baby steps) and my trusty sushi roller and the sharpest knife in the drawer.  They appeared to be very impressed with the presentation but I don’t think they enjoyed the taste.  It’s taken a while for Westerners to get accustomed to eating raw fish. Now there’s so many Japanese restaurants in Vancouver, but not all are created equal.  

Where does the Daruma come it, and what does it represent?  There are references throughout this documentary about those little round dolls you’ve seen before with the missing eyes.  They sometimes topple over but get right back up.  There’s a message here.  The Daruma is seen as a symbol of good luck, happiness and endurance. People traditionally buy these lucky dolls at the start of the year, make a wish as they color in the doll’s left eye, and then work towards their goal. Once the goal is achieved, they fill in the other eye. The Daruma is modeled after the famed Buddhist monk Daruma, who founded the Zen sect 1,500 years ago. The doll has also become commercialized by many Buddhist temples as a setting of new goals.  It’s really a symbol of gratitude. Tojo always has a Daruma to show his appreciation for setting and accomplishing goals .  I think I’m going to get one too.  My first goal will be to get the doll and my second goal will be to start setting new goals.  So that should mean that I can color in both eyes right away. So easy!

World Premiere at Fifth Avenue Cinemas

Taken from the VIFF Website:

For 36 years, Tojo’s has been a mainstay in the Vancouver food scene, beloved by critics, foodies, and a plethora of celebrities. A pioneer of Japanese cuisine in the West, chef Hidekazu Tojo helped bring sushi to the mainstream and is known as the inventor of the California Roll. Still working in his seventies, chef Tojo is inspired to look back on his life and ponder the legacy he will leave behind. He recalls his early years as a Japanese immigrant, coming to Canada at the age of 21, and his ambition to create a singular culinary path. We also accompany the chef on a return trip to Japan, where he connects with locals and explores new food trends.

Shot in Vancouver, Vancouver Island, and Japan, The Chef & the Daruma is a mouth-watering film tracing a journey of immigration, identity, and reinvention. Mads K. Baekkevold, in his first feature documentary, creates a loving tribute to a man who has devoted his life to sharing food.

You can still find Tojo at the counter.  Here’s a link to a Limited-time special Fall menu at Tojo’s restaurant:

https://tojos.com/daruma

Join VIFF News

Get the latest updates on our Festival, year-round programming and more – and get $5 off two VIFF Centre year-round film tickets.  Sign up here:

https://viff.us20.list-manage.com/subscribe?u=3344b76c6b5bdf78e58637067&id=2f28b8d64f

Sushi Photos taken from Tojo’s Restaurant Website

 

VIFF: CONCLAVE

DRAMA, SUSPENSE, INTRIGUE…

Photo courtesy of VIFF

Yesterday, I had the pleasure of viewing two fantastic films that are part of the VIFF Special Presentations – Emilia Pérez & Conclave.  Both films have extraordinary stories and the actors were truly outstanding.  While these two films are completely different from each other (as they should be), they share a common human thread.  I’m still wrapping my head around Emilia Pérez so I’ll focus on CONCLAVE for this post.

The movie was shot entirely in Rome.  The story centres around a sitting Pope who becomes an unexpected deceased Pope which leaves the Cardinals to deal with what to do about that?

In the Roman Catholic Church, a conclave is when its cardinals from around the world assemble to discuss the thorny matter of choosing a new Pope.  The conclave elects the new Pope from members within its ranks. As this process usually takes several days and multiple ballots, it is thick with drama. Whoever is first to garner two thirds of the votes, wins. But this story comes with a lot of layers before, during and after the new pope becomes the chosen one.

When Cardinal Lawrence (played by Ralph Fiennes) is tasked with leading one of the world’s most ancient events (selecting a new Pope); he finds himself at the center of a conspiracy that could shake the very foundation of the Church.  This movie is a Vatican Thriller with some unexpected turns – purposely left out for you to be surprised.  Because…don’t you love surprises?

The excellent cast includes Ralph Fiennes, Stanley Tucci, John Lithgow, Isabella Rossellini and Carlos Diehz.

I also wanted to see this movie because of my personal connection with Isabella Rossellini, whom I got to know years ago when she was filming a movie here in Vancouver.  She hired me to do a variety of things like; look after her daughter, plan a party, run errands, pick up an ex-hubby at the airport, etc.  Her long time regular assistant had to go back to New York for business so I took over for a bit shortly after being introduced to Isabella when visiting my camera operator friend on set.  She was very pleasant – even made me dinner one night.  I had so much fun, and my then-boyfriend made no secret of having such a crush on HER…I had to introduce them before breaking up with him.

Rossellini plays a nun.  Coincidentally, her mother (the great Ingrid Bergman) also played a nun garnering an Oscar nomination for “The Bells of St. Mary’s.” Like mother, like daughter.

THIS MOVIE is a must-see and a possible Oscar contender.  I’ll even go so far as to predict that Ralph Fiennes will get a best actor nomination and John Lithgow a best supporting actor nomination.  Let’s see how that plays out.

With Carlos Diehz

Carlos Diehz is a Mexican actor who only ventured  into the craft of acting in 2020, and landed a lead role in this movie through a global search.  He plays an important role.

Taken from the VIFF website:

When the sitting Pope shuffles off this mortal coil, Cardinal Lawrence (Ralph Fiennes) is handed the responsibility of marshalling the Catholic Church’s most influential figures and orchestrating the arcane process of electing a successor. Sequestered in the Vatican, several cardinals—including John Lithgow’s Cardinal Tremblay—turn cutthroat in their bid to lay claim to the papal throne. As conspiracies come to light and factions are formed, the unassuming Cardinal Benitez (Carlos Diehz) harbours a secret that may have seismic consequences.

In his follow up to the Oscar-winning All Quiet on the Western Front, Edward Berger delivers another immaculately crafted, psychologically complex morality tale. Gifted with a gloriously refined screenplay by Peter Straughan (Tinker, Tailor, Soldier, Spy), Berger elicits finely calibrated performances from a powerhouse cast that includes Stanley Tucci and Isabella Rossellini. And while Stephane Fontaine’s cinematography ensures a succession of sublime compositions, it’s the dramatic tension resulting from faith running afoul of corruption that keeps us riveted.

The festival is on until October 6th (that’s tomorrow) but there’s viff movie screenings all year long. Check it out:

https://viff.org/