CAN I GET A WITNESS?

Vancouver International Film Festival (VIFF) is celebrating 43 years of showcasing exceptional cinema in an exceptional environment – beautiful Vancouver. You’ll see some of the best cinema from around the globe, one-of-a-kind live performances, talks, industry sessions, and other unique events celebrating film and film culture. I try to never miss this festival.

This year, due to other events and circumstances I’m starting later than planned. Better late than not at all, right? Last night I went to a theatre close to where I live (VIFF is expanding their viewing theatres to include a few more – other than the downtown area – YAY!) I saw CAN I GET A WITNESS? at Fifth Ave Cinemas to full capacity seating. The timing of this movie is supposed to take place in the very near future; maybe too near for most. I didn’t realize that it was filmed in Powell River; a city known for its natural beauty, world-class rock climbing and home to the Sunshine Coast Trail, until the credits.

This particular film has been creating some BUZZ.

I like to say…,.Remember the Past, Think about the Future, but Stick to the Present.

Kiera Jang as “Kiah”- Photo courtesy of VIFF

Sometimes the present sucks! Especially if you’re about to turn 50! And you probably don’t even know what I mean by this if you haven’t seen the movie. Turning 50 is a milestone for everyone who is lucky enough to turn 50… but in this movie it means much more than a milestone. It’s the end of an era – namely, your personal era.

Everyone should see this film. This movie is full of surprises as it reflects on the past and all the damage we’ve done to the planet, but looks to saving the future. And like life in general, you have to take the good with the bad. CAN I GET A WITNESS? premiered at TIFF, but knowing that it would be showing in Vancouver, I purposely waited to see it at Fifth Avenue Cinemas, now part of the VIFF lineup.

With Ann Marie Fleming. Photo: Kiera Jang

It is certainly a coming of age movie, but not what you might think, and I don’t want to give it all away. Writer, Director and Co-Executive Producer Ann Marie Fleming wants to give you something more crucial to contemplate It’s nothing to do with anti-aging (an overdone concept to begin with) like some of the more recent movies I’ve seen that deal with starting over after 50, such as “The Substance” or “The Last Showgirl” which is basically you’re over…once you’re over 50 (with themes that resort to doing anything to keep youthful and another when you must start over from scratch after having done the same job for 30 years). But what if after you turn 50, your life really is over?

This is one of the more profound movies I’ve seen in a long time – maybe ever. It covers many current world and personal issues while giving viewers lots to think about. However, it’s as gentle as it’s extreme. As beautiful and insightful as this film is; it’s equally scary and sad. Even though the timing is set in the near future, it appears a little old fashioned; or as the VIFF Guide says; remarkably folksy. Yes, it is; especially considering the subject matter. It also has some charmingly animated objects that show up here and there…a sprinkling to give an unexpected, more dreamy innocent effect….along with the more dramatic nuances. Contradictions that make perfect sense in a sometimes senseless world.

My thoughts are that you will leave the theatre feeling different and questioning human choices and giving more thought to how we can improve the planet. At least that’s my hope…because if life imitates art, we’re all in trouble. If art imitates life, we may have a chance.

From the VIFF Guide:

Ann Marie Fleming takes us to a time when humanity has survived the global environmental crisis, but only at a steep price. As the film opens, Kiah (Keira Jang) is preparing for the first day of a new job, while her mother Ellie (Sandra Oh) is readying herself for a new journey of her own. Over the next two days, Kiah and her co-worker Daniel (Joel Oulette) perform their duties as official witnesses; together, they’re helping fulfill a global mandate to protect all life…

CAN I GET A WITNESS? is a film in which the important facts emerge gradually; as it builds to its powerful conclusion, the pace is leisurely and the style is deceptively casual. Fleming has a great ear for dialogue, and she directs with a strong attention to the nuances of human interaction. Jang and Oulette give subtle and convincing performances, and Oh is wonderful as always.

About:

Ann Marie Fleming is an award-winning visual artist, writer, director, animator and cross-platform media maker who has worked in a variety of genres (animation, experimental, documentary and drama). Her work often deals with themes of family, history and memory.

Ann Marie’s 2003 feature documentary The Magical Life of Long Tack Sam, based on the life of her magician and acrobat great-grandfather, won both the Grand Jury and Best Documentary Prize at the San Diego Asian Film Festival and the Best Documentary Prize at the Victoria Independent Film and Video Festival in Canada. And her animated feature film, Window Horses, received numerous international awards, including Best Animated film at the Asia Pacific Screen Awards and the Gijon International Film Festival in Barcelona.

Filmography: The Magical Life of Long Tack Sam (2003); The French Guy (2005); Window Horses (2016).

Sidenote: I saw The French Guy AND Window Horses. Excellent, diverse films that focus on cultural values.

Link for tickets (still a few more days left):

https://viff.org/festival/viff-2024/

Film Reviews

TIFF: THE LAST SHOWGIRL

Debbie & Elizabeth at the Movies

Here’s another one we wanted to see starring Pamela Anderson, Jamie Lee Curtis and Dave Bautista in the World Premiere of THE LAST SHOWGIRL. Directed by Gia Coppola.

You got us at Pamela Anderson and Jamie Lee. Sorry Dave! We knew that Anderson would do the movie justice and that Curtis would add some spunk; and we were right. A bold prediction is that Jamie Lee Curtis gets a Best Supporting Actress nomination (again) at the Oscars. You heard it here first. Curtis also claimed in an interview on the Red Carpet that the independant movie was shot in only 18 days – almost unheard of in the film business! A testament to the professionalism of the team.

As much as we love the movie title that depicts some showbiz sparkle, the film is much more than its title. In fact, it has girth and sadness. This story is more from behind the lights, than in front of them.

Out with the old; In with the new – a pattern arising in some films at TIFF and, the world in general.

As Vegas continues to change, the old seasoned performers must adapt to their new environs and change along with the times. Easy to say; difficult to do. Such is the case with Anderson’s character Shelley, when she learns that her bread and butter, a long-running traditional Vegas floor show must come to a close after 30 years .

Of course; who better to play this role than Pam Anderson? She plays it to an emotional Tee. However; Elizabeth thought that Anderson played the role a bit more ditzy than she needed to.

The stage manager Eddie (Bautista) is the bearer of bad news that the show will close permanently with only two weeks notice. All the dancers are devastated but none more than Shelley.

This is a real life dilemma that could be realized with not only this job, but any job. When you are 50 instead of 20, and your sole job skill has been dancing for 30 years; you’ve got to figure out a new life. You can become an emotional wreck.

Her brazen best friend Annette (Curtis) is a cocktail waitress who we believe secretly lost her dream of becoming something more. Something much bigger. One scene shows us that possibility. She’s incredible, as usual.

We really enjoyed this movie. It wasn’t spectacular but it was heartfelt and sometimes that’s enough. You really feel for Shelley’s situation of starting a new life.

And like the movie, cocktails seem to help, at least temporarily. There are so many choices of nice places to go for one (or more) in Toronto.

Only a few more days to go. For Tickets:

https://tiff.net/

Film Reviews

TIFF: “THE SUBSTANCE”

This is a new limited series entitled “Debbie & Elizabeth at the Movies.”Elizabeth is my cinema companion & collaborating cousin from Montreal who met me in Toronto to experience our first TIFF together– which is the abbreviated version of the Toronto International Film Festival. Which I’m certain most people are now very familiar with.

So let’s start with a movie that will be released in theatres on September 20^th. It’s called “THE SUBSTANCE” – starring Demi Moore in her much anticipated movie comeback role.

Moore portrays a fading Hollywood star named Elizabeth Sparkle alongside Margaret Qualley (from the TV series “Maid” where she starred with her mom, Andie MacDowell). Both Moore & Qualley are outstanding in their respective roles. Dennis Quaid; who’s having a movie moment, we can both agree, played a larger than life slimeball in this masterful horror-satire from writer-director Coralie Fargeat (Revenge).

A little bit of sad movie trivia is that Ray Liotta apparently was cast in the film in February 2022. He died in May that year before he could film his scenes. Dennis Quaid replaced him as a result. However sad that is, Quaid did a superb job.

There’s a lot to say about this movie and quite frankly, not sure where to start.

We could just leave it at one sentence “be careful what you wish for; you just might get it.” But that wouldn’t be enough.

We could say “if you were given an opportunity to become a younger (emphasis on “younger,” more perfect (but what does that really mean?) version of yourself, with let’s say a downside where you weren’t exactly sure what to expect because instructions were a bit vague – would you go for it?

This movie is mesmerizing and many call it a Masterpiece. It premiered at the Cannes Film Festival and TIFF was the North American Premiere, just few days ago.

It’s IN YOUR FACE. It’s OVER THE TOP. It’s INTENSE. But it’s also BRILLIANT.

It confirms that you make your choices and you live with the consequences – good and BAD.

We now know what the disclaimer at the start of the film *photo sensitive means.

This movie is a real symbol of substance abuse of a different nature. An over exaggeration of so many things. Starting with today’s obsession with looking youthful for as long as humanly possible. Not to mention what lengths we will go to in order to obtain it.

There are a lot of movies wrapped up in one very long package here. A few that comes to mind:

The Shining, The Matrix, The Terminator, Sunset Boulevard, Alien, Jane Fonda’s Workout and Batman (but really Gotham City in the Batman movies).

And lastly: remember; you are one person. You can’t escape yourself.

*Photosensitivity is any negative physical effect that is caused or aggravated by strobing, flashing or quickly changing patterns, luminance, or chrominance. It can lead to headaches, eyestrain or nausea.

Then what about the blood and gore?

The Festival is on until September 15th, 2024. For Tickets & Information:

https://tiff.net/

Film Reviews

Documentary: ANTHROPOCENE – The Human Epoch

A masterful collaboration by documentarians Jennifer Baichwal and Nicholas de Pencier.

A world class documentary that is equally stunning and disturbing. Surreal and sobering. The mind boggling cinematography by legendary photographer Edward Burtynsky was the stunning part. The disturbing part was everything else. It showcases to great effect our unprecedented impact on planet Earth to date.

And there was a lot to be captured. And there is a lot to be fearful for. And there is a lot to change…if we still can.

Concentric Circles Forming In Still Water

A short synopsis: scenes of almost inconceivable scale such as monolithic machines hell-bent on terraforming their surroundings, land-fill sites staffed by thousands, heaps of elephant tusks piled high and set aflame, concrete seawalls lining China’s coastline, on and on. Only some of the things humans are responsible for that endanger and change the structure of the planet.

I knew it wouldn’t be a feel-good film. But it was a necessary one. Which brings me to this famous quote:

More films until the 12th at: https://viff.org/

Art, Architecture, Culture

For the Love of Film

It’s that time again…Following TIFF (Toronto International Film Festival). Leafing through the booklet (shown above) there are too many films that I’m anxious to see. A Sampling:

ANTHROPOCENE: The Human Epoch

Okay; not feel-good but necessary knowledge:

The latest masterful collaboration between Jennifer Baichwal, Nicholas de Pencier and Edward Burtynsky isn’t so much eye-opening as mind-blowing as it essays our unprecedented impact on the Earth to stunning effect. The staggering tableaux captured here are at once surreal and sobering, including monolithic machines hell-bent on terraforming their surroundings and potash mines that evoke a bad drug trip. This is filmmaking of the highest order that unfolds on a dizzying, almost inconceivable scale.

Bathtubs Over Broadway

MAD | Music/Art/Design (Because I LOVE Broadway Musicals)

Where did Chita Rivera, Martin Short and the late Florence Henderson (all present here) get their starts? In “industrial” musicals–musicals commissioned by corporate America from the 50s through the 80s to entertain employees and celebrate, say, bathroom fixtures or Fords… Dava Whisenant’s supremely entertaining film follows industrial musical obsessive Steve Young (a writer for David Letterman, who also appears) as he uncovers a hidden world. “Get ready to laugh, sing, cheer, and be dazzled.”—POV

In My Room (Israel)

Impact | VIFF Impact

Deeply intimate, unexpectedly moving and entirely of its moment, Ayelet Albenda’s documentary unfolds through footage culled from six teenagers’ self-produced YouTube videos. Make no mistake: these aren’t social media stars or influencers. They’re just average kids documenting their trials (including pregnancy and eating disorders) and trying to make some sense of them. The remarkably honest moments they share quickly coalesce into an involving study of the myriad iterations of adolescence.

I’ll be focusing on reviewing a bunch of diverse cinema during the festival.

Source: taken from VIFF website.

Have a great weekend!

Film Reviews

Film: Seduction/Secrets – The Handmaiden

The Handmaiden was my chosen last film to see from VIFF. It was an intriguing change from all the other selections. handmaiden5 It’s an erotic thriller with many a twist and turn. I can only imagine what the men in the audience must have been thinking in a few of the scenes….given what I believe men like to envision. But it was much more than that. Beautifully directed from acclaimed writer-director Park Chan-Wook who is considered the King of Korean cinema. His first English language film was Stoker starring Nicole Kidman. handmaiden3

Synopsis: with help from an orphaned pickpocket (Kim Tae-ri), a Korean con man (Ha Jung-woo) devises an intricate plot to seduce and bamboozle a wealthy, innocuous young Japanese woman (Kim Min-hee) out of her inheritance. The woman lives on a large secluded estate and the Korean pickpocket is hired to serve as her new handmaiden. But who is really fooling who here?

This movie was inspired by Welsh author Sarah Waters’ novel Fingersmith; with the setting changed from Victorian era to Korea under Japanese colonial rule.

It was a captivating piece of work.

Trailer:

https://www.youtube.com/watch?v=IkvHtfRAKNk

The film festival has formally ended but extra screenings of some of the more popular films will play in select theatres over the next several days. To find out more please visit: https://www.viff.org/

Film Reviews

Culture/Film: Julieta and Elle

We’re still pleasantly engrossed at the Vancouver International Film Festival and I can hardly keep up with the reviews. julieta3 Today I saw two films back to back and I’m a bit mentally worn out. So much to discover and contemplate but I can tell you a little about the last two films with strong leading women.

I have a lot of appreciation for foreign films. Many times they have a lot more depth than North American cinema. I’m a big fan of Spanish director Pedro Almodóvar since having seen Women on the Verge of a Nervous Breakdown, 1988. It was nominated for an Academy Award for best foreign language film. And of course All About My Mother (which I loved even more) won an Academy Award for best foreign language film. The list goes on. So as soon as I heard that Julieta (the latest Almodóvar , sure to become another classic) was partaking at VIFF I had to schedule time to see it.

Told in flashback over 30 years of guilt and grief, this melodrama is based on three Alice Munro short stories. Critics are saying it is his best film in a decade.

What I love the most about any Almodóvar movie is the character study in itself – all about relationships, it never disappoints and you can guarantee the actors are the best of the best.

Emma Suárez is fabulous as Julieta. A beautiful woman who is leaving Madrid to start a new life in Portugal. But before she moves, and by chance, she bumps into a childhood friend of her estranged daughter Antía. She decides to stay in Madrid and returns to the apartment block where she and her daughter once lived. Then we’re transported back to the 80’s to find out the story about fate, love and separation.

I enjoyed the film very much but without giving too much away, I unfortunately didn’t completely understand the decision made by Antía (the daughter) and in my opinion it was a very undeserving situation.

Moving on…

Elle, on the other hand was pretty disturbing in a sick and twisted confrontational sense. I would classify it as a mystery/thriller with a wink and a twist.

I chose it because it’s a French film which stars Isabelle Huppert and is directed by Dutch filmmaker (and former Hollywood bad boy) Paul Verhoeven (Basic Instinct, Starship Troopers).

I liked the strong, seductive unemotional character of business woman (a CEO of a video game company) Michelle (Isabelle Huppert) with her dry sense of humour. She is superb in the role. I was disturbed and intrigued. This movie will most definitely spark a debate.

Julieta Trailer: