Canceled: The Paula Deen Story

From Southern Stardom to Scandal

CANCEL CULTURE was in its early stages when it took down Savannah based celebrity chef, cookbook author and restaurateur Paula Deen. Deen was right up there with Anthony Bourdain; infact, they had a bit of a feud going on which is re-ignited in this doc. Bourdain had famously called Deen the “worst, most dangerous person to America” for promoting unhealthy food, leading Deen to retaliate by criticizing his exotic and sometimes strange culinary choices.

This was one of the best documentaries I’ve ever seen. Any person with a keen and passionate interest in food, along with watching the Food Network knows, or at least has heard about Paula Deen and her show “Paula’s Home Cooking” which was cancelled in 2013.

I watched this one because on a recommendation from a friend living in Savannah, I had been to the famous “The Lady & Sons;” restaurant that she owned along with her sons, Jamie and Bobby Deen. I remember having a delicious Southern meal there and chatting with Bobby Deen. He told me that his mom had just been on Oprah.  Since then, she’s been on almost every talk show.  With her funny, gregarious personality, everyone liked her!

Her story is a real rags to riches tale. Deen’s journey from humble beginnings in Savannah, Georgia to Food Network royalty is chronicled in this documentary. That in itself is quite uplifting and fascinating.

Her downfall, triggered by a deposition in which she admitted to using racial slurs was one of the earliest high-profile examples of a celebrity losing endorsements, TV deals, and public favour almost overnight. It happened in the early days of social media’s rise, when public backlash could spread rapidly and brands were just beginning to respond to online outrage.

However, this documentary isn’t just about Paula Deen – it’s a case study in how fame, race, and media intersect in the age of cancellation. It asks tough questions: Can someone truly come back from public disgrace? Who gets to tell the “real” story? And what does accountability look like when reputations are built on charm and nostalgia?

Within 24 hours, I lost every job,” said Paula Deen while giving an interview ahead of the premiere of the documentary.

Bombshell Revelations highlight shocking details previously unknown to the public.

Deen and her sons speak candidly about the emotional toll and their belief that the full truth was never told. She claims the scandal was fueled by misinformation and media sensationalism.  If you watch it (and I highly recommend that you do), you’ll find out the shocking details of what lead up to her fall from grace.  Only then, can you decide for yourself if this was the right move.  And you’ll also find out how things are twisted to look worse than they are.

Canceled: The Paula Deen Story is a provocative deep dive into the rise, fall, and attempted redemption of one of America’s most polarizing celebrity chefs. Directed by Billy Corben, it premiered at the Toronto International Film Festival and has stirred up renewed debate about cancel culture, media narratives, and personal accountability.

And it makes you realize that until we all hear the full story, maybe we shouldn’t be so judgmental.

CN tower is behind me and the CBC Broadcast Centre (with red cross windows) – where I once worked.  I was able to walk there from where I lived on King St. W.

I give this one *****5/5

ONE MORE documentary that I thoroughly enjoyed watching at TIFF was JOHN CANDY: I LIKE ME.  NO controversy here-even though Bill Murray tries hard to dig up some dirt.  By all accounts, the guy was likeable.

This is a heartfelt documentary directed by Colin Hanks (son of Tom) that explores the life and legacy of beloved Canadian actor and comedian John Candy. Through rare archival footage, personal home videos, and interviews with friends, family, and collaborators; including Bill Murray, Dan Aykroyd, and Catherine O’Hara.  It paints a portrait of Candy as a generous, deeply relatable figure whose warmth and humor touched millions.  

It’s not just a celebration of his career in classics like Uncle Buck and Planes, Trains and Automobiles (which was probably my favorite of all his films), but also a tender look at the man behind the laughs, shaped by early loss and driven by love for his family and craft.  Gone too soon!

Ryan Reynolds (Producer), Eugene Levy (longtime friend & collaborator) and his two kids Jennifer & Chris, were in attendance for this world premiere.

Exclusively on Prime Video – October 10, 2025.  *****5/5

LIZA Documentary

A Truly Terrific Absolutely True Story – part of the lineup at the Palm Springs International Film Festival.

The by-line above is part of the title of this remarkable documentary about everything Liza Minnelli.  Directed by Bruce David Klein.

Photo: courtesy of Palm springs International Film Festival.

That would be Liza with a “Z” (referring to the 1972 concert film made for television, produced by Fred Ebb and Bob Fosse) who went on to win every entertainment award  you can imagine, in every single category, and who is refreshingly honest as she tells her story in present day while going through old movie clips and reliving those times.  She gives out solid advice like: “never hang around with dull people.”  From this doc it is clear she never has. I try not to, but sometimes they just happen to slip in.

As the daughter of Judy Garland and director Vincente Minnelli, she could’ve easily lived in her mother’s shadow.  Instead, she became an iconic show biz force of her own nature.  You find out about the relationship with her mother, her bond with mentor Kay Thompson who took Liza under her wings after Judy Garland passed away, her friends such as Charles Aznavour (considered the Frank Sinatra of France), Bob Fosse, Halston (an inseparable duo in the 70’s and 80’s, regularly supporting each other’s careers, traveling internationally and taking on the Studio 54 nightclub scene), her up-and-down marriages, personal and professional falls and showbiz triumphs.

By the way, Kay Thompson was a force of her own. The vivacious vocal coach, composer, dancer, actress, and choreographer was a staple in Liza’s life.  She was there for Liza until the end of her life in 1998 at which time she lived in Minnelli’s penthouse on the Upper East Side. Thompson stayed by Liza’s side, through thick and thin, cheering her on through everything.  Thompson became famous for creating the Eloise children’s books which she apparently modeled the main character after Minnelli, and for her role in the movie Funny Face.  She helped shaped Minnelli’s career. Now; that’s a friend!

And I have a little story of my own. First off, I saw Liza Minnelli and Charles Aznavour perform together at Place Des Arts in Montreal in 1993.  It was superb.  I’ve always appreciated all kinds of music, and the sheer talent of these two.  I would’ve rather seen them, than a regular rock concert.  It was a very powerful, showstopper of an evening.

Then, on one of my many visits to New York City back in the day, I went with a friend to Elaine’s restaurant on the upper East side. We were finished dinner and debating whether or not to order dessert when all of a sudden Liza Minnelli and two of her friends came in and sat down at the very next table.  We ordered dessert.  After dessert I went to use the restroom and as I was washing my hands, a stall opened and out came Liza. We were the only two in the restroom and I did not utter a word – just a smile.  Back to the table to try to eavesdrop, but only a bit.  Ha.

Once again; while in the pass-holder lineup, I chatted with a woman who looked vaguely familiar.  Once inside the theater, we sat next to each other, realizing that we had been to not one, but two of the same events recently but sat at different tables. Then we went through our phone pics to confirm and to see if we could find each other in the photos.  She said “many people have more in common than not” which I also believe.  Except the only thing I have in common with Liza was being at the same restaurant and washing our hands together. I usually don’t get star struck but I clammed up.  I should’ve told her that I saw her concert with Aznavour in Montreal.  I think she would’ve been pleased.  Note to self: if I ever get the opportunity again, I will do so.

After watching this documentary, I have a new appreciation for Liza Minnelli.  She’s so much more than her most amazing Oscar-winning performance as Sally Bowles in the 1972 film Cabaret.  She’s a true friend who goes above and beyond as told by others such as Mia Farrow, Ben Vereen, Joel Grey, and Michael Feinstein. These friends share their insights and memories, providing a heartfelt and genuine portrait of Liza’s life and career.

Well worth the watch.

For Film FestivalTickets:

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THE CHEF AND THE DARUMA

Thoughtfulness, Timing, Tradition, Taste…Tojo’s…

Photo: Courtesy of VIFF

This was part of the Vancouver International Film Festival 2024

Words that represent Vancouver’s Japanese-Canadian Celebrity Chef Hidekazu Tojo.  

I loved everything about this world premiere documentary except telling a friend of mine that I’d meet her next door to the theatre for Italian, when I was actually craving sushi.  Especially after watching Tojo prepare his mouth-watering dishes on screen. Tojo is more than a sushi chef. He’s an Artist. He started out working at restaurants in his home town of Kagoshima, Japan before becoming a chef at various restaurants in Vancouver, until opening his eponymous “Tojo’s” in October, 1988. There, he was able to have control over putting his signature spin on everything. After 18 years at the same location, in 2007 Tojo moved his restaurant to a new custom-designed setting a few blocks east of its original location. The place has been packed since day one.

Good food is always memorable.  Great food is unforgettable. I was once treated to an extraordinary birthday dinner sitting at the counter at Tojo’s with Tojo preparing all the dishes himself; carte blanche.  The dinner included sake too.  That’s when I realized that there’s sushi and then there’s sushi. There’s also many other dishes that are delicious that don’t include raw or cooked fish. Tojo does it “His Way.” It’s not so much a restaurant as it’s an experience. His food is elegant, modern and fresh –using local ingredients.  He’s a weekly regular at the Farmers Markets.

Tojo’s has earned admiration along with a cult following over the years. The restaurant has become a foodie destination. Photos with celebrities like Harrison Ford, Robin Williams, Martha Stewart, Anthony Bourdain and countless others who’ve enjoyed his creations line the walls. but none with me..so far

He’s credited with inventing the California Roll when one of Tojo’s regular customers mentioned that his wife didn’t like to each raw fish.  Always aiming to please, Tojo tried to Westernize the roll by adding the non-traditional ingredient of avocado and turning the roll inside-out to hide the nori (seaweed).  Not only did he succeed in creating a new popular roll, it’s become a mainstay pretty much everywhere since then. He’s a true pioneer.

However, this documentary doesn’t only focus on food.  It also talks about Tojo’s life and legacy, his upbringing, Japanese culture in general and an interesting and unsettling look at Canadian-Japanese history.

I always like to personalize my blog posts (if I can).  In this case, I lived in Japan for six months in my mid 20’s and that’s where I reluctantly tried sushi for the very first time.  There were very few restaurants in Vancouver that served sushi then.  I embraced the culture and the food immediately.  Aside from sushi, I also loved the noodle houses. I took a sushi making class and was super excited to share my talent for making it for my parents when visiting them in Montreal.  They never ate raw fish before, so I started out with making California Rolls (including the more challenging inside out rolls) using semi-cooked tuna (baby steps) and my trusty sushi roller and the sharpest knife in the drawer.  They appeared to be very impressed with the presentation but I don’t think they enjoyed the taste.  It’s taken a while for Westerners to get accustomed to eating raw fish. Now there’s so many Japanese restaurants in Vancouver, but not all are created equal.  

Where does the Daruma come it, and what does it represent?  There are references throughout this documentary about those little round dolls you’ve seen before with the missing eyes.  They sometimes topple over but get right back up.  There’s a message here.  The Daruma is seen as a symbol of good luck, happiness and endurance. People traditionally buy these lucky dolls at the start of the year, make a wish as they color in the doll’s left eye, and then work towards their goal. Once the goal is achieved, they fill in the other eye. The Daruma is modeled after the famed Buddhist monk Daruma, who founded the Zen sect 1,500 years ago. The doll has also become commercialized by many Buddhist temples as a setting of new goals.  It’s really a symbol of gratitude. Tojo always has a Daruma to show his appreciation for setting and accomplishing goals .  I think I’m going to get one too.  My first goal will be to get the doll and my second goal will be to start setting new goals.  So that should mean that I can color in both eyes right away. So easy!

World Premiere at Fifth Avenue Cinemas

Taken from the VIFF Website:

For 36 years, Tojo’s has been a mainstay in the Vancouver food scene, beloved by critics, foodies, and a plethora of celebrities. A pioneer of Japanese cuisine in the West, chef Hidekazu Tojo helped bring sushi to the mainstream and is known as the inventor of the California Roll. Still working in his seventies, chef Tojo is inspired to look back on his life and ponder the legacy he will leave behind. He recalls his early years as a Japanese immigrant, coming to Canada at the age of 21, and his ambition to create a singular culinary path. We also accompany the chef on a return trip to Japan, where he connects with locals and explores new food trends.

Shot in Vancouver, Vancouver Island, and Japan, The Chef & the Daruma is a mouth-watering film tracing a journey of immigration, identity, and reinvention. Mads K. Baekkevold, in his first feature documentary, creates a loving tribute to a man who has devoted his life to sharing food.

You can still find Tojo at the counter.  Here’s a link to a Limited-time special Fall menu at Tojo’s restaurant:

https://tojos.com/daruma

Join VIFF News

Get the latest updates on our Festival, year-round programming and more – and get $5 off two VIFF Centre year-round film tickets.  Sign up here:

https://viff.us20.list-manage.com/subscribe?u=3344b76c6b5bdf78e58637067&id=2f28b8d64f

Sushi Photos taken from Tojo’s Restaurant Website

 

Whistler Film Festival

On the heels of the Vancouver International Film Festival (VIFF) comes the Whistler Film Festival (WFF). Not that anyone needs an excuse to go to Whistler; but while you’re waiting for ski season to start (soon enough) film buffs might want to take in this unique little (but getting bigger) festival.  Also; while there, make sure to check out the Audain Art Museum (housing the private art collection of Michael Audain) which is amazing in itself.

Art, Music, Movies, Documentaries….it’s all here!

Whistler Film Festival (WFF) has announced the full lineup for its 22nd edition taking place in-person from November 30, to December 4 2022  in Whistler, BC, and online from December 5 to January 2, 2023. 

Selected from over 2,000 submissions, the lineup includes 86 bold and inspiring films curated into nine program strands. There are 41 features and 45 shorts from 19 different countries, including award-season contenders, new breakthrough Canadian features, heart-stopping extreme adventure films, and previously unseen projects from around the globe. 

”With a particular emphasis on Canadian content creators and distinct and emerging voices, Whistler Film Festival continues to fill a valuable niche within the film festival ecosystem,” says Paul Gratton, WFF’s Director of Programming. “WFF has evolved into a premium showcase for exciting new motion pictures not previously shown at other film festivals. With our strongest lineup ever of Canadian gems, coveted international festival titles, and an inspiring selection of award-hopefuls, our 22nd edition hums with the energy and creativity that result when new voices mix with established filmmakers in one of the most awe-inspiring settings for a film festival.”

WFF is pleased to present an exciting line-up of documentaries, with a strong focus on sports and music.

A little sneak preview:

Acclaimed actor and director Jason Priestley returns to WFF for the World Premiere of OFFSIDE: THE HAROLD BALLARD STORY. Big money, big headlines, and a long list of enemies – Harold Ballard made them all during the two decades he owned the crown jewel of Canadian sports – The Toronto Maple Leafs – down the road to ruin. This not-to-be-missed feature-length documentary explores one of the most controversial figures in Canadian sports history. Directed by Priestley, this world premiere marks the star’s return to the festival for the first time since the release of his critically-acclaimed film Cas and Dylan – the opening night selection at WFF in 2013.

Music has a large presence in the WFF doc mix this year. A special screening of BUFFY SAINTE-MARIE: CARRY IT ON, with a live-streamed and in-theatre Zoom conversation with the iconic  singer, songwriter, and activist, takes place on December 2. The documentary is directed by Madison Thomas, an alum of the Whistler Film Festival Indigenous Filmmaker Fellowship (2017). 

WFF will screen the too-crazy-to-be-believed behind-the-scenes concert doc REVIVAL ‘69: THE CONCERT THAT ROCKED THE WORLD. Coined “the second most important event in rock & roll history,” the Toronto Rock & Roll Revival was a one-day event held at Toronto’s Varsity Stadium. 

It features John Lennon in his first post-Beatles appearance, as well as Yoko Ono, Klaus Voorman, Eric Clapton, Alice Cooper (and the infamous chicken incident that put him on the map), Little Richard, Bo Diddley, Chuck Berry, Jerry Lee Lewis, and The Doors, plus a couple of hundred bikers used to provide Lennon with a motorized escort from Pearson Airport to Varsity Stadium to make the concert in time. A must-see for any rock historian.

Music fans will love BOY CITY, a funny throwback to the era of boy bands and those who loved them, directed by Sean Cisterna and featuring Jonas Chernick. Chernick is also the co-lead in the comedy THE END OF SEX directed by Sean Garrity, a sort of spiritual successor to MY AWKWARD SEXUAL ADVENTURE which won the Audience Award at WFF in 2012.

This all sounds amazing!

For tickets + info:

Home

 

The power of Film

It’s that time of year again. The time where movie theaters start to fill up as Fall approaches.  And of course; the film festivals start up.  Toronto International Film Festival (better known as TIFF) is on now until the 18th followed by the Vancouver International Film Festival (VIFF for short) which begins on September 29th

Film is a powerful tool for so many reasons.  There’s times I don’t want to think and only want to laugh, however; the three highlighted here help to get a message across with a not so gentle reminder of what good and bad we humans are capable of.  This is the true power of film. Comedy and Tragedy, like life itself. Previews of what’s to come…

If you liked My Octopus Teacher…

Blueback

Blueback: photo + description taken from TIFF website

A story about an intimate mother–daughter relationship, forged by the women’s keen desire to protect the inhabitants of the pristine blue oceans on the Australian coast where they live.

With images of beautiful blue vistas demanding to be seen on the big screen, Robert Connolly (Balibo, TIFF ’09; Paper Planes, TIFF ’14) returns to the Festival with a story about a young woman’s connection to the ocean and an inherited mission of environmental advocacy.

A teenager named Abby and her mom maintains a bond with a groper fish (In Australia, “groper” is used instead of “grouper” ) affectionately named Blueback, who becomes a reminder of all the wonders the ocean has to offer and a path to healing a rift between Abby and her mother.

Sidenote from Girl who would be King: as a former scuba diver where at 19, my very first dive was in the Bahamas with a team from National Geographic no less,  I personally came into contact with Grouper fish among sea turtles and many other remarkable sea creatures.  I visited Cayman Islands too where turtle stew is considered the national dish. This trailer pulled on my heartstrings.  

Grouper and snapper are still the mainstays in the Bahamas, however, with the former being the “Rolls Royce of fish” according to Ben Simmons, owner and operator of Harbour Island’s Ocean View Club.

Bones of Crows

Bones of Crows: photo + description taken from VIFF website.

An epic account of the life of Cree matriarch Aline Spears that spans generations, Marie Clements’ Bones of Crows is a powerful indictment of the abuse of Indigenous peoples as well as a stirring story of resilience and resistance.

752 Is Not A Number

752 is Not a Number: photo + description taken from TIFF website.

On January 8, 2020, Ukraine International Airlines Flight 752 went down as it was leaving Iranian air space. All 176 people on board were killed, many of them Iranian Canadians. For weeks Iranian authorities vociferously denied responsibility, but foreign governments and agencies were certain the plane was shot down by Iranian military, a fact Iran’s government eventually admitted. There were no answers as to why the plane was fired on or even why it was allowed to take off, since hostilities had broken out in the region in preceding days.

This tragedy is the subject of the documentary. The focus is one man’s dogged fight for the truth. Hamed Esmaeilion, a dentist in Newmarket, Ontario, lost his wife and his young daughter in the incident. Determined not to let the Iranian government exploit their memories, Hamed took a harrowing journey to Iran to claim the remains, then embarked on a quest for justice for all the victims in this atrocity.

Happy Film Going (and some not so happy film going) but we all learn something and become more mindful in the process.

Have a great weekend (a long weekend in most provinces in Canada due to the passing of Queen Elizabeth II).  RIP our longest reigning monarch.

 

Citizen Penn

No matter your views of Sean Penn, this startling documentary about the destruction and lives lost from the shattering 2010 earthquake in Haiti is sure to change how you see him.

Not that he cares what you might think mind you. He didn’t travel to Haiti to bring attention to himself. No. Like other first-responders on site, he too played an admirable, tireless “hands-on” role in the wider humanitarian effort to save lives, and to bring much-needed medicines, money and peace to a disturbing situation. After spending millions of his own money, he tried to raise more funds by hosting galas with celebrity friends only to become disappointed when many did not come through as he had hoped. And on this score, he has no trouble calling people out and speaking his own mind, a feature of Penn’s character which has, in past, elicited controversy. 

Still, this documentary remains truly eye-opening if not heartbreaking, especially for a nation struggling to restore a more tolerable measure of normalcy in the aftermath.

Penn once compared Port-au-Prince to Detroit, saying, “It’s not more dangerous, it’s not less dangerous.”

To quote from the VIFF catalogue:

Penn, whose father Leo was blacklisted as a Communist, has made no secret of his disgust of American imperialism, and has regularly ventured to places like Iraq, Venezuela, Cuba, and New Orleans post Katrina. But as this film chronicles, over the last decade much of his energy has gone into supporting the people of Haiti after the devastating earthquake of 2010, which claimed a quarter of a million lives and displaced many more.

Penn arrived with a small team of volunteers and urgent morphine supplies donated by his friend Hugo Chávez. More surprising, perhaps, is that he opted to stay on the island for months, taking over leadership of the largest refugee camp when the US military left. Culled largely from footage shot on the ground at the time, but also drawing on interviews with Penn, Anderson Cooper and others, the film is a vivid account of first person activism, the expediencies of life and death in a disaster zone, and one man’s dedication to direct action.

In the wake of his efforts in Haiti, Penn went on to create an emergency response NGO known as CORE, which not only trains and empowers local volunteers in the US to help communities deal with natural disasters like hurricanes, but more recently, even the Covid-19 challenge, by getting N-95 masks into the hands of those who need them most, as well as helping with on-the-ground Covid-19 testing for the population at large. 

We were an airplane that built itself after take off, and that’s a perilous ride in so many ways; and how it ended up surviving was the force of will of hundreds of people.

— Sean Penn, Co-Founder & Chairperson of the Board

The bottom line take-away message from seeing this documentary was in witnessing how a single person can leverage their own celebrity power to effect enormous good in alleviating the suffering of others in our world, and how one can inspire others to do likewise. 

I gave it five out of five stars *****

check out more films/documentaries/talks:

https://viff.org/

 

2020 Vision…when life gets blurry adjust your focus

Happy New Year everyone…finally.

We’re already two weeks in but until recently I’ve had company, a floor renovation here in Palm Springs and finally the Palm Springs International Film Festival (PSIFF) which has just ended.  So I’ve been somewhat distracted until now. Normally I try to take in as many films as possible.  However this time I managed only four films.  Three fascinating documentaries of which I’ll touch on here to start up my blog.

The Truth – taken from PSIFF film media library.  I think Deneuve is solely responsible for making the “leopard coat” sexy and relevant even today.

I saw one feature “The Truth” starring Catherine Deneuve, Juliette Binoche & Ethan Hawke (above photo).  A celebrated actress (Deneuve) publishes her memoirs amid a choppy relationship with her daughter (Binoche) who lives in her moms shadow and is married to a second rate American Actor (Hawke).  I enjoyed watching this film solely because of the actors.  Deneuve alone was the deciding factor going in with no prior knowledge of what the film was about.  She does a tremendous job of playing a self-absorbed screen diva.  She remains beautiful.

David Foster: Off the Record

David Foster with just a few grammy awards – taken from PSIFF film media images

 I thought for sure that the U.S. premier about the Canadian music icon would not ensure a full house.
But I was wrong.  Albeit a lot of the audience members were Canadians.  He is after all the Canadian equivalent of Quincy Jones.  His musical accomplishments could not be more celebrated in this documentary about his life and career. He discovered Celine Dion.  It explores his creative relationships with Celine Dion, Barbra Streisand and countless others. Fascinating man.

House of Cardin

House of Cardin – image taken from PSIFF film media library

What is Pierre Cardin up to?  Is he even still alive? At 97 years of age his name has a stamp on pretty much everything.  If he sold out, he did so on his own terms.

Pierre Cardin, the Italian born (everyone thought he was French) fashion icon changed the world of haute couture forever.  This documentary traces the life and career of a remarkable trailblazer.  As the trailer points out, it’s filled with eye candy (Sharon Stone among others are interviewed) and is a five-course feast for fashion lovers.  Indeed! If you love fashion this doc is a must!

The Kingmaker

Imelda Marcos on her 85th birthday in KINGMAKER. Photo Credit: Lauren Greenfield.

Dramatic, Dazzling, Disgraceful.

Lauren Greenfield’s cutting portrait of the legendarily extravagant Imelda Marcos starts with the shoes and the servants, then slyly expands into an examination of her dynastic ambitions and the damage that she and her corrupt family have wreaked upon the Philippines.

Stay tuned for updates from Palm Springs on various places to dine, shop and play.

 

 

 

 

 

Documentary: ANTHROPOCENE – The Human Epoch

A masterful collaboration by documentarians Jennifer Baichwal and Nicholas de Pencier.

A world class documentary that is equally stunning and disturbing. Surreal and sobering. The mind boggling cinematography by legendary photographer Edward Burtynsky was the stunning part.  The disturbing part was everything else. It showcases to great effect our unprecedented impact on planet Earth to date.

And there was a lot to be captured.  And there is a lot to be fearful for.  And there is a lot to change…if we still can.

Concentric Circles Forming In Still Water

A short synopsis: scenes of almost inconceivable scale such as monolithic machines hell-bent on terraforming their surroundings, land-fill sites staffed by thousands, heaps of elephant tusks piled high and set aflame, concrete seawalls lining China’s coastline, on and on.  Only some of the things humans are responsible for that endanger and change the structure of the planet.

I knew it wouldn’t be a feel-good film.  But it was a necessary one.  Which brings me to this famous quote:

Seeing is Believing

More films until the 12th at:  https://viff.org/

 

 

 

 

 

 

 

 

Culture/Film: Mightier than the Sword

Film for Thought

When you believe in something that’s bigger than yourself you fight to make yourself heard.

Journalist Roberta Staley is fighting for women’s rights in Afghanistan.  Having traveled  undercover to Afghanistan on several occasions,  she took risky chances trying to create positive change.  She’s responsible for the award winning documentary entitled  “Mightier than the Sword” which has helped enpower women over there by giving them a voice to be heard.  A major accomplishment.

Rahibib Rahimi (L) and Roberta Staley (R)

I first met Roberta in a Spanish class over coffee in 2012 and was intrigued when she said she’d be leaving for a few weeks to go on assignment for Elle Magazine. In Afghanistan no less.

The Story (in brief)

Roberta went back to Afghanistan three years later to tell the story of Mozhdah Jamalzadah, a regular person here and a superstar in Afghanistan, where she’s a powerful voice for women similar to that of Oprah.  The Vancouver raised woman is actually referred to as the Oprah of Afghanistan.

This 48-minute documentary focuses on Afghan female journalists and filmmakers and their impact on gender perceptions and gender equality. In Afghanistan, a significant advance since the fall of the Taliban has been the entry of women into the media as reporters, directors, writers, producers and authors.

Excerpt by Lucas Aykroyd from Vancouver Magazine:

The powerful debut by Vancouver filmmaker Roberta Staley examines the impact of female media personalities in Afghanistan’s fight for gender equality. Staley, an award-winning editor and longtime contributor to Vancouver magazine, created the new 48-minute film to complete her Master’s degree in graduate liberal studies at SFU. After spending three weeks in 2012 in the Central Asian nation on assignment for Elle, she returned there in 2015 to shoot Mightier Than the Sword in 35 C weather during Ramadan. Staley remortgaged her condo to finish the film, which cost her more than $80,000. “That’s what you do when you believe in something,” she says. “I was obsessed with telling this story about the media and how it was changing gender perceptions and gender equality.”

View Trailer:

http://www.mightierthanthesword.ca/videos/

More to come

Monday Mood:  Sinatra state of mind

The Place He Called Home

I could change the heading to Melancholy Mood a song sang by Frank Sinatra but that sounds pretty gloomy.  After viewing a special screening of the fabulous documentary film by *Leo Zahn which ended Modernism week here in Palm Springs, we know Sinatra’s life was anything but gloomy.

Sinatra in Palm Springs – The Place He Called Home.

I, like so many others have always loved Sinatra’s music, his style and well…the lifestyle was anything but dull. Because I’ve spent the last several years coming to Palm Springs and now live here part of the year I was really looking forward to seeing this film if only because it explored Frank Sinatra’s deep attachment to Palm Springs and the Coachella Valley, his primary home for almost 50 years.

His wife Barbara called him a desert rat.  Meaning he embraced the dreamy “desert rat” lifestyle of tennis, golf, cocktails, cards and entertaining.  Very similar to my lifestyle minus the tennis, golf and cards.

Nelda Linsk, one of the subjects of “Poolside Gossip,” the famous photograph shot by Slim Aarons in 1970, was Barbara Sinatra’s best friend (she’s the one in yellow).  She is also interviewed in this doc.  She’s still beautiful.

The film captures the spirit of the Sinatra era and pays tribute to the unique lifestyle especially surrounding the renowned racquet club. Revealing interviews bring to life a bygone era . . . beginning with the post-WWII years and Sinatra’s 1947 home in Palm Springs, tumultuous times with Ava Gardner, his 1954 move to Rancho Mirage, his marriage to Barbara, and life at the “compound.” Major sequences are dedicated to historic restaurants Sinatra frequented for decades.  Many still here and some I’ve gone to.  My husband and I had the pleasure of meeting and sitting with Mel Haber who owned the historic Ingleside Inn and Melvyn’s cocktail bar which Sinatra frequented.  He described Sinatra as having “an aura” about him. He’s the first and last person to be interviewed in this wonderful documentary.  It didn’t matter which president or other famous person frequented your estabishment.  Everyone wanted to know if Frank or “Mr. S” as they referred to him came in.  If he showed up with his entourage and liked it, you were good.  If he didn’t like the pasta it could get thrown against the wall.

‘Sinatra in Palm Springs’ tells the story of a man whose generosity and compassion for his fellow citizens had no bounds. He loved the desert and its people. He loved the local restaurants and bars. His best friends lived nearby.

How many people can aspire to live like him?  It’s a large, legendary life and that’s why the screening was sold out.  He really did do it HIS WAY.

At the end of the screening Mr. Zahn (*the filmmaker) was here for an audience Q&A.

And that’s another thing I love about being here.  The filmmakers are on hand to answer questions especially during Film Fest and Modernism.