It’s easy to see why this open-air art gallery draws visitors from all over the world.
This is only a splattering of photos taken with my Samsung phone camera a few days ago. See story below.
Like many others right now during this pandemic craze, I’m tending to stick closer to home. Well maybe not always too too close; but close enough. At the very least I’ve been discovering places in the province where I live that I have either never been to and wanted to visit, or haven’t visited in such a long time, that I can’t even remember when I was there last.
Such was the case a few days ago when I took the ferry from Vancouver to Vancouver Island with my boyfriend Paul and Layla, my sheltie. The reason I decided to go in the first place was to look at the possibility of getting a companion dog for Layla. I was very interested in getting another male sheltie who lives on the island. However, without going into detail it sadly was not meant to be, at least for now…so we decided to make a little holiday out of the situation.
We took the ferry boat one way going there and another way coming back with stopovers in some quaint little towns…Ladysmith, Chemainus, Duncan and finally ending up in Victoria to take the ferry back to Vancouver. The weather for November was excellent and the scenery very picturesque.
And speaking of picturesque…I was aware of an abundance of story-telling murals in Chemainus as I had been there once before, but I had no idea that it is known as Canada’s Mural Capital. And I don’t remember seeing nearly as many as I did this time around.
I was blown away by how this proud seaside community shares its heritage and celebrates its history through art on the sides of stores, restaurants and private homes. The creation of one mural and sculpture after another which began in 1982, has turned this tiny town into Canada’s largest permanent outdoor art gallery. And might I add… when was the last time you stood in front of a “Subway” sandwich shop or “Canada Post Office” in admiration?.
You can follow the yellow footsteps (like the yellow brick road) on the sidewalks to locate all the murals. Although we did it by chance and decided to spend the night in a hotel there so we could enjoy the town the next day.
When Chemainus was established in 1858, forestry was the principal industry, and it is still central to its life. The townspeople were concerned about the future of their one-industry town so looked to economic diversification as a way to thrive. As it has a natural beauty setting to begin with, it made sense to expand as a tourist spot so The Chemainus Murals Program was born.
The subject from the beginning has been the community’s heritage, reflecting the history of the First Nations people and their life here, and the unfolding story of settlement by the families and individuals who built the community.
World renowned Vancouver Island artist Emily Carr’s legacy is depicted in a special Emily Carr Mural Series. It’s really beautiful.
The name Chemainus is believed to have come from a legendary First Nations shaman and prophet who survived a massive wound in his chest to become a powerful chief. Tsa-meeun-is (Broken Chest).
If you’re looking for The Mural of the Story…
Going by the official mural guide I can look through and tell you by number what each mural means, however I think it best you go there and discover for yourself… if only becauseit really is worthwhile.
Let me introduce you to extremely talented Canadian visual artist Kris Friesen. Everybody has a story. He can paint yours.
The header today is the finished mural at the Greek restaurant Koutouki in the 124 Street neighborhood of Edmonton. It depicts a colorful streetscape of busy life in restaurants and cafes in Athens. By Kris Friesen.
I first met Kris about 15 years ago when my husband and I commissioned him to paint a wall on part of our outdoor courtyard after seeing his work on the outside of a gelato shop on Commercial Drive in Vancouver.
Our friend Jackie was anxious to take us to this new place for the best gelato in the city, but as good as it was we were more mesmerized by the lifelike Italian scene depicted on one whole side of the building. The attention to detail was amazing. Actually, it was the best mural we’d seen to date and it got us thinking about how we could incorporate something personal to our own outdoor space. So I got in touch with the shop owner who let Kris know we were interested. Unfortunately the shop along with the mural is no longer there.
We had some ideas, Kris painted a story board and voila, our idea came to life. A bit Santa Fe, a bit Wine Country and some water and mountains off to the distance. And of course, an expanse of sky. When we sat out there we felt like we had a special view of everything we like. And it was after that that we wondered why on earth we hadn’t asked him to paint another wall. We pondered that idea for several years. Then we decided to move on it.
However by then Kris had unfortunately for us, moved to Edmonton and we dressed up the blank wall with a wall hanging and later on a mirror with plants in front. We felt it needed something. Fast forward to this past summer when I found Kris’s website and sent him an e-mail not even sure he’d remember me. Surprisingly he did. By this time he had moved to Duncan, B.C. – at least it was a lot closer. I told him my husband had passed away and that we had been talking for years about wanting to get him back to do some more art. Luckily for me, Kris was Vancouver bound for several days just recently so we discussed the wall. I thought Spring would be a perfect time to start however Kris was going traveling for a while and not sure exactly when he’d be back. Since the weather was good and considering how well the other mural held up over the years, I decided to go ahead.
I wanted the older mural to be extended around the corner and a few other things added to the much smaller blank wall area; which would have not been in the original plan.
The work in progress:
Mural Mural on the Wall – I’m very happy with the finished result. He even put another protective coating on the first mural which had held up very well and re-painted a few things on the upstairs deck. Oh yeah; he also painted some rocks, sagebrush, flowers, gekkos and butterflies on the upstairs deck. Looks great.
Here’s a small sampling of his other diverse original works of art. Kris not only paints murals. He started with that, however now he paints on canvas and panels mostly.
Call it what you will but there are some truly astounding works to behold all around the globe. Besides beautifying otherwise downtrodden neighbourhoods and offering innovative art to the public for free, the transient nature of street art is part of its appeal. It’s also a lot nicer than looking at a blank wall. Street art is an ephemeral thing. Here today, maybe gone tomorrow. Many a mural has been erased due to the whims of local governments and the impulses of other street artists. I was upset to notice that an intricately beautiful mural I’ve always admired on a gelato shop had been painted over.
So I thought it would be fun to post the TOP TEN BEST CITIES in the world to view streetside art.
Sao Paulo, Brazil
Like many other cities, Sao Paulo has had a turbulent relationship with local street artists. Originally, much of the prohibited public painting going up in the city was political and the government was opposed. But it has relaxed this stance in recent years, collaborating with street artists to produce colourful works on highways and housing developments. When you’re there, be sure to look down to find artist Tec’s fascinating road murals. If you can’t make it, you can find a virtual selection of Sao Paulo’s best works on the Google Art Project website.
London has incubated its fair share of street artists over the years. While many works have been removed and repainted, many pieces stand untouched throughout the city (including some elusive pieces by the famous Banksy). Though officially condemned, the popularity of street art in England’s capital has led the city government to commission various pieces, like the sometimes odd installations on the Fourth Plinth in Trafalgar Square.
New York City, USA
New York is where it all started. In the late 1960s and early 1970s, the first graffiti artists began tagging everything in sight. At that time, the driving force behind this nascent street art was ubiquity. The art form has evolved since then to encompass the elaborate murals and clever works that can be found around NYC today. Neighbourhoods like Chelsea, Bushwick and the Lower East Side are all meccas for street artists. At 106 and Park in Spanish Harlem, you can find the Graffiti Hall of Fame, a section of wall that has seen some of the best graffiti writers of all time scribble their stuff.
Berlin’s tumultuous history offers inspiration for street artists to produce some of their best work. Nowhere is this more apparent than the East Side Gallery, a section of the former Berlin Wall that has been turned into a 1.3-kilometre canvas. Here, you’ll find 105 murals that were painted on the east side of the wall in 1990, where graffiti had been banned during Soviet rule. Kreuzberg is another popular district for street art, and is home to the largest stencil in the world, the Kreuzberg Spaceman. But you don’t have to travel far from downtown Berlin for impressive creations: the central Mitte district is a creative enclave, home to Tacheles, a former department store covered in artists’ work.
Buenos Aires, Argentina
One of the most popular tourist areas in Buenos Aires, Caminito, is a district that bills itself as the world’s first open-air pedestrian museum. Its colourful building facades are very photogenic, and a number of artists sell their wares in the neighbourhood. However, Buenos Aires is known worldwide for its support of street art. Barren walls city-wide are transformed into building-sized murals, which are not only tolerated by the city government, but oftentimes actively funded. Buenos Aires native Martin Ron’s famous 3D turtle is found here, in addition to a number of his other vibrant and breathtaking murals.
As a burgeoning artistic centre, Philadelphia boasts a creative spirit that’s easy to find on its “Mural Mile”. Surprisingly, Philadelphia’s Mural Arts Program – the largest public art program in the United States – began as part of a government-funded anti-graffiti movement. Tired of the artless tags that plagued the city, Philadelphia officials approached graffiti artists and had them direct their considerable artistic talents into full size murals. Today, there are more than 3,600 of these impressive works dotting the city. In addition to these full-size pieces, a number of famous street artists have left their mark here.
Melbourne has become one of the world centres for street art, with dozens of acclaimed artists having left their mark on the city. Numerous alleyways in the Australian cultural capital are decorated with vibrant works. Hosier Lane and Caledonian Lane are iconic spots, and in 2010 the local council commissioned a number of artists to paint the walls of Union Lane. These alley artworks are now highlighted by local tourism agencies. Though the relationship between street artists and government has been strained at times (city workers accidentally demolished a Banksy piece), the government has largely supported its creative citizens and it shows in the variety of urban spaces where street art has popped up.
Los Angeles, USA
If there’s anywhere in the world where street art has jumped the gap between radical expression and commercial enterprise, it’s in LA. Here, you can find LAB ART, a 6,500 square-foot gallery of street art that’s not so much on the street anymore, but can be purchased instead. But that isn’t to say that the art form has been completely commercialized here. A number of iconic works can still be seen in the La Brea area and walls in Hollywood are regularly redone with fantastic images from local artists like Robbie Conal and Saber.
Tel Aviv, Israel
While some cities shirk the free public art its talented citizens spray on the walls, forward-thinking places like Tel Aviv embrace it wholeheartedly. The community centre on Rothschild Boulevard and the area around Jaffa Port are ever-changing exhibits of innovative paintings, wheat paste art and stenciling. You can find interesting works wherever you may go in the city, though, like elsewhere, the best works are often found in less developed neighbourhoods. In Tel Aviv this means heading toward the less hip areas of Florentin to see what inventive Israeli artists have to offer.
Walking around Paris, you’re likely to come across small tiled 8-bit figures a couple of stories above the street on building corners and monuments. These are works done by the artist Invader, who works across the world but hails from Paris. His colourful tiled mosaics of characters from the arcade game Space Invaders can be found throughout the city. Paris is also home to Blek le Rat, the father of stencil graffiti, who has been at work on Paris streets for over 30 years. You might have to pay to see the Mona Lisa, but some of the best art in the French capital is found streetside.
*Graffiti ranges from simple written words to elaborate wall paintings, and it has existed since ancient times, with examples dating back to Ancient Egypt, Ancient Greece, and the Roman Empire.
There have been murals on walls throughout the world for as long as there have been people on Earth. People scratched them, carved them, etched them and painted them.
The history of murals and mural painting is rich and varied, from the prehistoric cave paintings at Lascaux, France, to the celebratory and ceremonial murals of ancient Egypt, Rome, Mesopotamia, Greece and India. They are presumed to be the oldest human art form, as cave paintings at numerous ancient human settlements suggest, and can be found all over the world. A wide variety of artistic styles are used in mural painting, and some incorporate the use of techniques which create a sense of dramatic scale and amazing depth.
Diego Rivera (the Mexican painter who was married to Frida Kahlo) is a perfect example. One of his most significant murals, his 1933 Detroit Industry (see below) is brimming with assembly line workers, blast-furnace scenes, fertility figures, and even a portrait of Edsel Ford, who commissioned it. Come September 6 through January 4, 2014 it’s the subject of an exhibition at the neighboring Museum of Contemporary Art Detroit, Curated by Jens Hoffman.
“The Past is Present” will showcase murals by 14 artists invited to respond to events that have shaped Detroit in the 80 years since Rivera completed his masterpiece. The far-ranging themes include the 1937 Ford Motor Company strike, the history of Motor City music, and Detroit’s urban farmingrevolution. “My idea is that you wander from one mural to another, so it’s almost like walking through the city, if you could travel in time,” says Hoffman.
There can be few works of art so closely associated with America’s great industrial age than Diego Rivera’s Detroit Industry murals. These large-scale frescos that adorn the city’s Institute of Arts were created in 1932 and 1933 by the left-wing Mexican artist, and focus on the workers at the city’s Ford car plant. Yet their subject and scope is actually far wider, taking in medical production, race, weaponry, faith, and the predominant managerial structure of the day. Upon their unveiling, the works were thought of in some quarters as anti-American; today they’re regarded as one of the masterpieces of 20th Century public art.