ART – Lessons We Can Learn from Kandinsky

As a new gallery of Kandinsky’s work opens in New York, we examine key lessons that can be learned from the legendary painter and art theorist – which is perfect for what MATTERS for life in general.

Improvisation 28 (second version) (Improvisation 28 [zweite Fassung]) by Vasily Kandinsky, 1912 Courtesy of Solomon R. Guggenheim Museum, New York, Solomon R. Guggenheim Founding Collection
Improvisation 28 (second version) by Vasily Kandinsky, 1912 Courtesy of Solomon R. Guggenheim Museum, New York, Solomon R. Guggenheim Founding Collection.
The career of Wassily Kandinsky ranged from theorising colour and geometric forms in completely new ways to painting some of the first abstract paintings as well as writing books on completely new concepts in art. Simply put, Kandinsky was ground breaking in the ways he divorced himself from typical norms of old school fine art and broke new ground by taking inspiration from everything to music and human emotion, reinterpreting these topics into colourful artworks and brilliant theoretical books.

Blue Mountain (Der blaue Berg) by Vasily Kandinsky, 1908–09 Courtesy of Solomon R. Guggenheim Museum, New York, Solomon R. Guggenheim Founding Collection
Blue Mountain (Der blaue Berg) by Vasily Kandinsky, 1908–09 Courtesy of Solomon R. Guggenheim Museum, New York, Solomon R. Guggenheim Founding Collection.

The latest gallery of 150 Kandinsky works at The Guggenheim in New York traces the artist’s aesthetic evolution and contribution to the abstract art movement, from his early days working as a painter in Munich to the last era of his career in Paris. Here, we look at what we can learn from the storied artist, from living a colourful life to knowing the value of contrast.

Black Lines (Schwarze Linien) by Vasily Kandinsky, December 1913Courtesy of Solomon R. Guggenheim Museum, New York, Solomon R. Guggenheim Founding Collection
Black Lines (Schwarze Linien) by Vasily Kandinsky, December 1913 Courtesy of Solomon R. Guggenheim Museum, New York, Solomon R. Guggenheim Founding Collection.
  1. Let your STYLE evolve
    Kandinksy knew the true value of having confidence to move from one aesthetic to another. Though primarily known as an abstract artist, he often experimented with different forms of abstraction with much success. During his Blue Rider period, his paintings were large and expressive, with markings that varied in shape and size. But his Bauhaus period saw paintings that were centered on controlled geometrics and sharp lines. He turned the classic saying of “Do one thing and do it well,” on its head – and that lesson can be used for fashion advice or life in general.
  2. LIVE a colourful life
    His paintings offer the anecdote that living a colourful life is always better than living a dreary one in only black and white. As a highly spiritual artist, Kandinsky saw colour as emotional therapy and injected much of it into his paintings. In his book, Concerning the Spiritual in Art, he wrote, “Colours on the painter’s palette evoke a double effect: a purely physical effect on the eye which is charmed by the beauty of colours, similar to the joyful impression when we eat a delicacy. This effect can be much deeper, however, causing a vibration of the soul or an “inner resonance” – a spiritual effect in which the colour touches the soul itself.” On an off day, we can always imagine ourselves living inside a Kandinsky painting.
  3. KNOW when to take a break
    There’s no doubt Kandinsky was a hard worker. He produced hundreds of works and painted until the last few years of his life. But he also knew when to take a break from his work. One day, an exhausted Kandinksy decided to take a walk. When he returned to his studio, one of his paintings had been accidentally turned upside down by friend and fellow artist Gabriele Münter. Without recognising it as his own, he proclaimed it was “of extraordinary beauty, glowing with inner radiance.” This moment was said to change his ideas about painting and open his eyes to abstraction. Taking a break or stepping back from a big project can make one see things in a different light – especially if someone else gets involved in the most unexpected ways.
  4. BELIEVE in the power of contrast
    There’s a reason why black and white striped tops forever remain a wardrobe staple. Kandinsky recognized the power of contrasting colours and shapes early, assigning hues emotional qualities and using them to balance each other out. “White and black form the second great contrast, which is static. White is a deep, absolute silence, full of possibility. Black is nothingness without possibility, an eternal silence without hope, and corresponds with death,” he wrote in Concerning the Spiritual Art. Similarly, Kandinsky’s paintings often play with contrasting shapes: long, sharp lines juxtapose soft orb-like spheres and curves. Life wouldn’t be as beautiful without the best of both worlds.
  5. The INNER self matters
    If all of Kandinsky’s beliefs could be condensed into one, his biggest theory would probably be what he called “internal necessity.” His paintings were colourfully stunning but they weren’t just based on pure aesthetics. As well as believing in a form of communication between the artist and the viewer, Kandinsky believed in total self-awareness. He committed to his feelings and senses and often theorised that shapes and colours were attached to his own emotional feelings. For example, he felt the circle was the most peaceful symbol – so he used it to create his own codes throughout his work. He also considered black as the colour of closure. And with this system, he created not just beautiful work, but his own language that was completely one of a kind and representative of a singular person.

Love his theory

The Kandinsky gallery is at The Guggenheim, New York until Spring 2016.

Source: Kristen Bateman for

ART/Culture – a day at the MUSEUM

 THE PALM Springs ART MUSEUMmuseum1

It’s always nice to visit the art galleries and museums in any city you happen to be visiting.  I really enjoyed the Palm Springs Art Museum, established in 1938.  The displays are culturally diverse, interesting, ethereal and thought provoking.  A feast for the eyes.

In the sculpture garden
In the sculpture garden

What began as a museum about the desert has evolved into an oasis for the arts, focusing on international Modern and Contemporary painting and sculpture by artists such as Henry Moore, Barbara Hepworth, Robert Motherwell, Helen Frankenthaler, Duane Hanson, John Chamberlin, Anselm Keifer, and Anthony Gormley.

wood horse
wood horse

It includes works by historically significant west coast artists Sam Francis, Robert Arneson, Nathan Oliveira, Mark di Suvero, and Edward Ruscha, among others, as well as contemporary Native American artis


Karen LaMonte – Pianist’s Dress Impression

Additional areas of focus include Contemporary and Studio Art Glass by Dale Chihuly, Karen LaMonte, Howard Ben Tré, Lynda Benglis, and William Morris; Classic Western American Art by Thomas Moran, Charles Russell, Frederic Remington, Walter Ufer, and Agnes Pelton; Native American baskets; Mesoamerican artifacts; and Photography with special attention to natural, built, social, and leisure environments.

Yoshitoma Nara, “your dog” – fibreglass


Warhol (brillo) & Lichtenstein
Navajo – natural handspun wool & synthetic dyes
Fritz Scholder – galloping indian on horse, acrylic on canvas
Paiute willow & glass beaded baskets
Paiute willow & glass beaded baskets


Vladimira Klumpar, Sea Subject cast glass
Ellsworth Kelly
Robb Putman - fabric, leather, plastic, cotton, mixed media
Robb Putman – fabric, leather, plastic, cotton, mixed media


I’m really glad that they allow you to take photos – no flash.

Photos: d. king

Do you have a favourite museum?