Omar Ortiz – born in Guadalajara, Mexico (1977) where he still resides.
His paintings are surreal. His work is characterized as minimalistic – described as hyperrealism where the human body is predominate, done in oil with texture-filled backgrounds. He has also worked with pastels, charcoal, watercolor, acrylics, and airbrushing.
Omar describes his work:
“Since I started painting I have always tried to represent things as real as I can. Sometimes I succeed and sometimes not, but it’s a fact that it is very difficult for me to do the opposite. I really enjoy the challenge of reproducing skin tones under natural light and the nuances that it gives us, particularly in bright conditions. I like to keep simplicity in my pieces since I believe that excess make us poorer rather than rich.”
Art moves us. Everyone should be in agreement with this. While we may not all agree on liking a specific piece enough to want to hang it in our home, we can admire the work for what it is and the dedication involved in bringing something to life and/or giving us something to ponder. Everyone can visualize something different in abstract, but in realism everyone sees the same – it’s like looking in the mirror (technically speaking).
Opera unites music, poetry, drama, and spectacle in the most elaborate of all art forms.
So it was an absolute pleasure to finally attend “Opera in the Park“, the Palm Springs premier cultural event in April . This is the first time I’ve stayed here this long. Usually I’m gone by the end of March because it gets too hot here, but this time I decided to stay a little longer. The event takes place at Sunrise Park which is a very short drive from where I live (part-time of course).
I originally had a spot reserved under the big white tent but decided to sit on the grass just outside it in a shady area with my lawn chair and the lunch I packed because I wasn’t sure they’d have food. But they did have food and drinks. And souvenirs. Most people were sitting outside the tent. It was lovely.
This live concert with arias from operas by Bizet, Delibes, Donizetti, Gounod, Mozart, Puccini, Rossini and Verdi draws thousands of people from all over Southern California every April in a celebration of great music with a professional orchestra conducted by Valery Ryvkin. In addition, a special tribute to Leonard Bernstein’s Centennial featured music from West Side Story and Candide. It also marked the 20th Anniversary of Opera in the Park. Oh, did I mention that it’s free?
The Palm Springs Opera Guild Orchestra performed from 1-4 pm with famous operas including Carmen, Rigoletto, Madame Butterfly, La Traviata, Faust and more.
There were food vendors from well known establishments offering delicious sandwiches, salads, platters, wine, beer, and cocktails. You could even pre-order online from Triorestaurant.
Presenting Sponsors: The Augustine Foundation and
*Newman’s Own Foundation
Using the power of philanthropy to transform lives*Newman’s Own Foundation is all about supporting people doing great things. People whos stories inspire us.
This month there’s also Coachella, a more famous and enormously profitable music festival with a great long lineup. A lot of musicians whom I’m familiar with and many I’m not. But it was actually Opera in the Park that I really wanted to go to. Coachella maybe another time.
Have you been to either?
Opera in the Park: Music Director: Mona Lands. Artistic Director: Andrew Eisenmann.
Last Thursday I had the opportunity to see a special performance from London’s National Theatre of Tennessee Williams’s 1955 Pulitzer Prize-winning play
Cat on a Hot Tin Roof
But I saw it from the comfort of my seat at the Camelot theatre in Palm Springs.
When my friend Megan told me she had an extra ticket for the showing I actually thought we were going to watch a live stage performance. It was instead a pre-recorded live performance in select cinemas around the world for one night only. And to my surprise it was very much like being right there in person. Or at least the closest thing to experiencing the actual feeling of sitting in the theatre. This was the first I’ve heard of National Theatre Live.
National Theatre Live was founded specifically to bring access to the incredible live performances of The National Theatre and shares them with audiences who may not have the opportunity to go to London’s West End to see them.
Broadcasts retain the feeling of a live performance and though each broadcast is filmed in front of a live audience in the theatre, cameras are carefully positioned throughout the auditorium to ensure that cinema audiences get the ‘best seat in the house.’ I was amazed at how good it was.
I vaguely remember seeing the movie about a tempestuous marriage in a dysfunctional family with lots of secrets and lies. In the original it was Paul Newman and Elizabeth Taylor in the title roles and I thought who would ever be able to outdo them? But this play, directed by Benedict Andrews managed to pair a wonderful Jack O’Connell as drunken husband Brick, and an amazing performance by Sienna Miller as Maggie “the cat”, Brick’s neglected wife. It’s a steamy family fight for survival that’s complex, riveting, disturbing and poetic all at once. I have to admit their Mississippi accents makes the fighting and arguing sound that much more romantic.
So unless I’m actually in London, I’ll be on the lookout for more of these cinematic events by this exceptional company.
ABOUT NATIONAL THEATRE LIVE National Theatre Live launched in June 2009 with a broadcast of the National Theatre production of Phèdre with Helen Mirren. NTL captures live performances from the National Theatre and from other theatres in the UK and broadcasts them in more than 2,500 movie theaters and other venues in 60 countries worldwide. As of February 2017, the global audience reached almost 8 million people.
Next Production is Hamlet – The 2015 broadcast, with Benedict Cumberbatch in the title role, returns to UK and international cinemas.
I wanted to prove that I, as an individual, deserved a place in the world – Paul Revere Williams.
Focus on Palm Springs Modernism and Preserving the Legacy of Paul Revere Williams (1894-1980): Architect to the Stars…and Everyone Else.
“Expensive homes are my business and social housing is my hobby,” Williams once said.
One of my favorite months to be in Palm Springs is February, if only for the numerous events surrounding Modernism Week. A feast for the senses; especially the eyes.
The mission of Modernism Week is to celebrate and foster appreciation of midcentury architecture and design, as well as contemporary thinking in these fields, by encouraging education, preservation and sustainable modern living as represented in the greater Palm Springs area. But you don’t have to be here to appreciate it. But if you are here, you’ll certainly enjoy it!
“California represented an acceptance of both Williams, as an African-American and his work. Maybe Southern California was the only place he could have achieved all this.” -Robert Timme, dean of the USC School of Architecture
Lucille Ball and Desi Arnaz tapped Williams in 1954 to design their Palm Springs residence. The Ball Arnaz home is an excellent example of his uncanny ability to transform a client’s dreams into substance.
Frank Sinatra also hired the architect to build a house. Williams recalled the experience designing for the crooner as particularly challenging.
“Frank Sinatra wanted a bedroom; press a button and the doors open to the patio. Press another button and the bed rolls out into the patio.” Ahhhh….. if you can, why not?
In a nutshell….
Paul Revere Williams is an important part of Southern California’s architectural legacy. He’s well known for his sumptuous residential designs for movie stars, entertainment and business leaders, mastering a range of styles from Southern Colonial to Spanish Colonial, from Hollywood Regency to Modern. While residential design would remain an important part of his practice, in the course of his five-decade career, Williams designed thousands of buildings of all types, served on many municipal, state and federal commissions, and was active in political and social organizations earning the admiration and respect of his peers.
The closing choice to end the Palm Springs International Film Festival was a movie about faded fame and growing old.It was also a movie about a small town film festival awarding a lifetime achievement award to an over-the-hill beloved ex movie star.
An overall great character study with an ageing Burt Reynolds in the starring role and a precociously under dressed, depressed, complex young woman perfectly played by Ariel Winter (Modern Family). An almost unrecognizable Chevy Chase plays Sonny, friend to Vic Edwards (Reynolds character) who urges him to go to Knoxville, Tennessee to collect his award.
I loved this movie by Adam Rifkin (in attendance) who said that Burt Reynolds was his childhood idol. He wrote the movie specifically for Burt and sent the script to his agent saying that if he decided not to do it, he would not make it period. He got a call the very next day from Burt Reynolds. Reynolds said that if the script was sent to him ten years ago the answer would be “no” but at this stage in his life he was ready. I loved that he spliced film clips from Reynolds old movies like Deliverance & Smoky and the Bandit alongside what he looks like now. It’s quite bittersweet to witness the differences between now and then.
And it’s a movie that makes you think about life in general. Not just that of an ex-famous movie star. It has all the necessary elements for audience appeal. Humor, feel-good, sadness, regret, choices. Some of the scenes brought tears to my eyes. It was completely human and utterly charming.
What woman did not fall for the charms of Burt Reynolds in his glory days? What a hunk he was with personality to top it all off. Handsome, funny, talented with substance. I mean just look at the women he used to date from Sally Field (the one who got away) to Dinah Shore. How time flies.
I found this film to be a refreshing and honest look at life. I highly recommend seeing it when it comes to a theatre near you sometime this year. Especially if you like (or used to like) Burt Reynolds.
As you may know I’m in Palm Springs where the International Film Festival (PSIFF) is still in full swing until it ends on the 15th.
As you may also know I very unfortunately had to miss a whole bunch of great story telling due to some kind of awful virus I picked up. So for my second movie only since arriving here on December 31st, just beginning to feel myself again, I chose a documentary. Documentaries are some of my favorite story telling because of the truth involved.
Also, this one was directed by Matt Tyrnauer who directed the phenomenal documentary feature Valentino: The Last Emperor (2009), which was short listed for an Oscar Nomination in 2010. He’s also a special correspondent for Vanity Fair Magazine. He was in attendance as was his subject, Scotty Bowers, a now 94 year old man with a carefree attitude and great smile. And one amazing story. Oh do tell…
After returning from Marine Corps combat during World War II, this handsome young man arrived in Los Angeles and started pumping gas and pimping (for lack of a better word although he’d prefer to say he ran an introduction service) at 5777 Hollywood Blvd. The gas station is no longer, but the memories are.
As Bowers tells it, an overture from a seemingly unlikely customer, the tweedy gentlemanly actor Walter Pidgeon, led to Hollywood connections with some of the biggest names at the time. Names I won’t repeat here (you’ll have to see it yourself). Scotty got some of his pals into the act and pretty soon the Richfield station was flooded with customers looking for a quick trick. The town pump.
Well this is old Hollywood news, is it not? I mean Hollywood has a history and we’ve heard the stories before (yawn, yawn). Well….not exactly…like this. Trust me when I tell you there’ll be some new and eye raising reveals. Really!
And then you’ve got to ask yourself “why am I here?” I mean in the sense of being in a sold-out audience room full of voyeurs like yourself finding out personal information on people you’ve only heard about going back years before your time. With a little bit of embarrassment for being party to it. But then relishing the wicked information told through Scotty’s adventures.
As the story delves into his tortured past we can’t help but wonder if Scotty was making his own escape from reality.
The story is told extremely well, it flowed perfectly with just the right amount of interviews, humor involved and naughty intrigue. A perfect afternoon escape with a man who makes no apologies for his choices – having been the discreet pleasure pleaser of the past to both sexes. Until aids came around to claim the life of Rock Hudson and he decided to shut it down. As he put it “I enjoyed helping others.”
And in the manufactured Hollywood of yesteryear there was definitely a time and place for Scotty’s services and that of his posse. Full Service indeed and Full Steam Ahead!
OPENING NIGHT – Palm Springs International Film Festival 2018 (PSIFF)
There is a saying about relationships in Washington: If you want a friend in Washington, get a dog. – Katharine Graham
The feature film began with a panel discussion with the key players on the stage of Palm Springs High School.
Katharine Graham for those of you unfamiliar, was America’s first female Fortune 500 CEO. As the renowned publisher of ‘The Washington Post,’ she guided the newspaper to national prominence, most notably when it published The Pentagon Papers and reported on the Watergate scandal.
Meryl Streep stars as Washington Post publisher Katharine Graham and Tom Hanks as editor Ben Bradlee in Steven Spielberg’s gripping true life drama behind the publication of the Pentagon Papers in Nixon’s White House. This history making movie at the time of an incensed, vindictive president meant risking careers and the future of the newspaper.
A cover-up that spanned four U.S. Presidents pushed the country’s first female newspaper publisher and a hard-driving editor to join an unprecedented battle between journalist and government.
Decades of government lies which led the U.S. into the mire of the Vietnam War were lifted from top secret files. The risk of publishing them was greater than great.
Words to live by:
It’s hard to remake decisions and even harder to rethink nondecisions. Sometimes you don’t really decide, you just move forward, and that is what I did—moved forward blindly and mindlessly into a new and unknown life.
A long time ago I had to decide whether to be a lady who lunched or a women who worked. – Katharine Graham, Personal History
The festival runs until January 15th. Check out the film and events lineup here:
The Palm Springs International Film Festival tradition of the Secret Screening continues, sharing a brand-new, yet-to-premiere film with only the most discreet of discerning filmgoers. You won’t know the title of the film until you see it on the screen, and once you’re in on the secret you can’t spill the beans. No talking, texting or tweeting before, during or after. While we can’t disclose specifics, we can tell you that this classified title features one of this year’s Film Awards honorees alongside one from 2017. It’s a story that may be familiar, but we promise you’ve never seen it like this before. Ohhhh….
Alongside Films and Documentaries from…
The heartwarming journey of a man and his elephant – Thailand
A fascinating, dishy documentary about the life and times of Scotty Bowers, who, after serving in the Marines in WWII stumbled into a career satisfying the sexual desires of some of the most famous people in Hollywood, both male and female.
And Everything in BetweenAs a member of the PSIFF media to cover screenings and events, I look forward to sharing some stimulating stories with you.
Art is not a pleasure, or an amusement, art is a great matter. Art is an organ of human life transmitting man’s reasonable perception into feeling. Leo Tolstoy – 1898
His (Tolstoy’s) definition of art is in the inverse of the truth; the task of art is to transform not perception into feeling, but feeling into perception. Sir Herbert Read – 1960.
I found the above phrases transcribed by perfect penmanship into a beautifully gifted art book from a gallery in Washingon, D.C. I hadn’t opened up the hard cover book in a long while and re discovered it again recently as it was tucked away amongst other belongings.
The nice thing about art is that it never gets old.
ART is an appreciated respite from all the craziness in the universe right now.
We belong to a generation that is extremely consumerist, materialist, and greedy. It’s total garbage! But here’s how an inspiring artist gets around it while creating breathtakingly beautiful work.
Portuguese street artist Artur Bordalo, known by the moniker Bordalo II, is showing off some bold new street art in an abandoned Lisbon warehouse. The artist, who was born in 1987, revitalizes end-of-life materials discarded by others to create his pieces. Bordalo draws attention to wastefulness by creating massive vibrant animals out of discarded plastic car parts, and other trash – and the whimsical designs are unlike anything you’ve ever seen.
Garbage is given new life as colorful animal sculptures in Bordalo II’s solo exhibition Attero – the Latin word for ‘waste.’ The trash is locally sourced and might come from old cars, construction materials, or whatever else the artist happens to find. He often transforms the debris into animals because they are particularly vulnerable to harm from our society which too often throws items away, polluting the environment.
Attero calls us to reflect on our own consumption, according to Lara Seixo Rodrigues, founder of nonprofit arts organization Mistaker Maker, which curated Attero. She remarked “Whether on a large or small scale, his unusual sculptural creations oblige us to question and rethink our own role as actors in this static, consumerist, and self-destructive society, which exploits, often in an abusive way, the resources that nature offers us.”
Check out more of Bordalo II’s pieces on Facebook and Instagram.