VIFF 2026: I Play Rocky

A rocky start that ended with a Rocky finish!

Photo courtesy of the Vancouver International Film Festival – 2026.

We know the story. We know the outcome. And yet, after watching I Play Rocky, I came away with a renewed appreciation for the man behind one of Hollywood’s most beloved underdog stories.

This was the best feel-good movie I’ve seen in a long, long time. It had everything going for it: heart, soul, determination, and a real-life story that reminds us what can happen when someone refuses to give up on a dream.

The entire audience was clapping at the end. I can’t remember the last time I witnessed that kind of spontaneous reaction – except, perhaps, at the very end of Rocky itself.

The film takes us back to the early struggles of Sylvester Stallone, long before he became a household name. He had written a script he believed in, and he was determined to play the lead himself. Hollywood had other ideas. The odds were stacked against him, but Stallone held firm to his vision, even when taking the easier road might have meant sacrificing the very thing he believed in.

We all love to root for the underdog. But there’s something especially satisfying about watching someone fight not just for a chance at success, but for the right to tell his own story.

Directed by Oscar-winner Peter Farrelly (Green Book), the film stars Anthony Ippolito as Stallone. The resemblance is uncanny – not just in his appearance, but in the way he speaks and carries himself. He brings Stallone to life in a way that makes you forget you’re watching an actor portray someone whose story we think we already know.

And behind every great struggle, there are often people who provide the support needed to keep going. Stallone’s wife, Sasha, played an integral role, offering the kind of support that can make all the difference when a dream seems just out of reach.

What makes this story so uplifting is the reminder that success rarely arrives overnight. Sometimes, it begins with a belief in yourself that nobody else shares.

We already know what became of Rocky. What makes this story worth telling is remembering just how much determination it took to get there.

A Rocky Footnote

As a personal aside, I had the pleasure of meeting Carol Connors at the Palm Springs International Film Festival last January. She earned an Oscar nomination for Best Original Song for co-writing “Gonna Fly Now,” the iconic theme from Rocky. Her documentary, Elvis, Rocky & Me: The Carol Connors Story, received a Best of Fest recognition at the festival.

Talk about a personal connection to movie history!

The festival has now come to a close, but you can check out the VIFF movie lineup all year long here:

VIFF 2026: Nuisance Bear

There are very few places left in the world where you can experience wild animals in their true, uninterrupted environments. We think of African safaris, trekking to see gorillas in Eastern Africa, exploring The Galápagos Islands, or viewing massive penguin colonies in Antarctica.

Photo courtesy of Vancouver International Film Festival

Right alongside those bucket-list destinations is polar bear watching in Churchill, Manitoba – the self-proclaimed “Polar Bear Capital of the World”.

But the feature documentary Nuisance Bear turns that entire tourism spectacle on its head. Expanding on their acclaimed 2021 short film, Canadian filmmakers Gabriela Osio Vanden and Jack Weisman track the polar bear population as it intersects with both high-rolling tourists and the Inuit community of Arviat. The film shows how these amazing, apex predators are increasingly encroaching on human habitat, coming dangerously close to town lines.

Through their lenses, we track a polar bear navigating a chaotic gauntlet of tourists, trucks, sirens, traps, wildlife officers, hunters, and forced relocation. The journey is given profound weight and depth through guidance and narration from the late Inuit elder Mike Tunalaaq Gibbons. 

In 2018, Gibbons’ son, Aaron, was tragically killed by a polar bear while protecting his children. Though speaking about the predators became deeply difficult for the elder, his reflections in the film offer a moving reminder that the fault does not lie with the bear, but with a fractured ecosystem.

At this stage in time, watching this documentary is probably the closest I’ll ever personally come to seeing polar bears in the wild – and honestly, I’m okay with that.

Tour operators in Churchill use custom-built, massively oversized vehicles known globally as Tundra Buggies or Arctic Crawlers. Built with massive, five-foot-tall rubber tires to safely traverse the fragile subarctic terrain when the bears gather along the coast of Hudson Bay every October and November, these vehicles are the only way to see them.  It’s not an intimate operation, it’s a heavily managed interaction.

As the VIFF program guide beautifully summarizes:

Winner of the highly coveted Sundance Grand Jury Prize for Documentary, this is a formally daring work about spectacle, survival, and the violence hidden inside the word ‘nuisance’.

We’re left contemplating what happens when the mascot becomes a problem?”

The festival has now come to a close, but you can check out the VIFF movie lineup all year long here:

VIFF 2026: “Whatcha Want”

I went to see Mina Shum’s latest feature film, Whatcha Want, mostly because she is an acclaimed local writer-director (Meditation Park, VIFF 2017) and the film was shot right here in Vancouver and Victoria. I had a feeling it would be good, and I was absolutely right! 

Photo courtesy of Vancouver International Film Festival

The best way to describe it is a high-energy mix of Crazy Rich Asians meets Flashdance. But overall, it’s a joyful movie of liberation.

Beneath the dazzling surface, the story has many layers. It brings poignant Asian cultural awareness to the forefront through the main character, Yin Tse (played beautifully by Bridgerton’s Isabella Wei). Yin comes to Vancouver from Hong Kong on a temporary visa as a new “trophy wife,” dealing with an isolating marriage and an absentee husband who is back home handling business… and a bit of unfaithful “monkey business” on the side.

Yin’s only friend in Vancouver is a slightly older woman in the exact same boat. She has grown used to her husband’s constant absence and views the luxury lifestyle it provides as a necessary tradeoff. Whether that tradeoff is good or bad depends entirely on how you look at it, but it appears to be the accepted norm for many women in this circle. It requires giving up a part of yourself to please someone else – something I think most of us have done at some point in our lives. As Yin’s mother perfectly puts it in the film: “I always liked mushrooms – but your dad hated them, so I never ate them again.”

One day, feeling lonely and looking out over her balcony, Yin notices a vibrant group of dancers practicing in the building next door. Intrigued, she wanders over to find connection by rekindling her childhood passion for dance. The dynamic blend of hip-hop, breakdancing, and acrobatics is mesmerizing (in fact, one of the dancers in the cast is a real-life Canadian Olympic champion from the Paris games!).

A chance encounter brings Yin under the wing of dance studio owner Penny (Helen Dang), who helps her train for an elite audition. But when her wealthy husband (Hugh Tran) returns from Hong Kong, Yin is forced to make a definitive choice: stick with material comfort, or claim the freedom to be herself.

Anchored by screen legends Ming-Na Wen (Mulan) and Tzi Ma (The Farewell), who help provide comic relief, this film tackles heavy themes of isolation and marital expectations within the Asian diaspora while the incredibly charismatic cast of dancers keeps the energy electric.

Ultimately, Whatcha Want is a beautiful tribute to the joy of self-expression through movement. It leaves you reflecting on a profound question: What are you truly willing to give up for a lifestyle, or for someone else? It is an earnest, joyful ride that will have your heart doing backflips.

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Foodie Film: Le Pot-au-Feu

Another successful Vancouver International Film Festival (VIFF) comes to a close with THE POT-au-FEU – aptly described as an art house food porn flick.  A movie you’re best not to watch on an empty stomach.

The English title is called “The Taste of Things” which is nicer sounding than the actual translation “Pot on the Fire.”  The Pot-au-Feu was selected to compete for the Palme d’Or at the 2023 Cannes Film Festival, where it had its world premiere on 24 May 2023.   It was chosen as the closing film for VIFF on 7th October, 2023.  

The movie features former  real-life couple Juliette Binoche (Chocolat, The English Patient) and Benoît Magimel (The Piano Teacher). Binoche plays Eugénie; the personal cook for one of France’s most renowned gourmet chefs, M. Dodin Bouffant (Magimel). 

The pair star in “The Scent of Green Papaya’ writer-director Tràn Anh Hùng’s movie about a couple coming together both in and out of the kitchen.  I suppose you can call it a love story – one mostly to do with food as it is depicted as a vehicle for pleasure (or possibly a substitute for sex, or maybe foreplay if you remember that scene from 9 1/2 weeks).  This is not about food foreplay though – it’s the main event.  No one will disagree that the cinematography is really outstanding with the French countryside serving as a backdrop to what’s cooking in the kitchen.  Food wise, the film is phenomenal to the point where you can almost taste it!

The stars hold their own but the real star of this film is French chef Pierre Gagnaire who served as gastronomy director while also appearing in the film in the small role of a chef.  He deserves an Oscar for his mouth watering epicurean creations alone.

The movie also takes in a young female apprentice which goes to prove that similar to learning ballet and piano lessons and being proficient at either; it’s best to teach them at a young age to achieve lasting results.

My takeaway: A relationship based purely on sexual desire is doomed to failure, but if there’s good food involved, it has a chance.

If anything, this movie will inspire you to want to better your culinary skills and create new ways to elevate ordinary everyday dishes.

A simple yet heartfelt line from the movie – “Happiness is continuing to desire what you already have.” – The best sounding advice I’ve ever heard.

Classic Pot-au-Feu

Pot-au-feu is the national dish of France. This essential version combines beef shank and rump roast with eight vegetables and a blend of herbs for an extra-comforting bowl.

Classic Recipe:

https://www.foodandwine.com/recipes/classic-pot-au-feu

The movie is scheduled for release to theatres on November 8th.  French with English subtitles.

Movie Trailer: