Who doesn’t agree that a vibrant topper will brighten up any drab day and make anything else you’re wearing feel more special?
Yes, but I must admit I’m a bit colour shy after having had many a colourful coat. There was a beautiful long soft leather fuschia (yup – that was an expensive mistake), an ankle length red wool coat, a mid length purple wrap coat and a shorter yellow cashmere coat (It was a mistake letting that one go). Then I got tired of all the colour, went back to safe ‘go-with-anything’ neutral toppers and stuck with that. So while they’re not the most exciting choices out there right now I know that in a year or five years from now I can still wear them. The coloured ones felt a bit dated…..of course until now.
Blame the designers. They draw you in, get you to drop lots of $$$ on every colour out there and then fade back to black. This year they’re on a monochromatic kick, matching coats to the clothes underneath (I refuse), so pick one vivid hue – whether it be scarlet, taxicab yellow, hot pink or purple – and run with it. Since you’re dealing with loud shades, keep everything else quiet. That means clothes with minimal prints, simple shoes and a few accessories.
Bonus – if you end up checking your coat it will sure be easier to find, but why bother? Why miss a chance to make a memorable entrance? For me, I’ll check my black/grey/navy/camel coat at the door and wear a vibrant bodysuit underneath….perhaps.
I’m just annoyed that I let go of all my colourful cover ups.
These coats make you welcome the colder weather. Just don’t make the mistake of buying too many.
If you do buy one, which colour would you choose? For me it would be red or yellow or purple or fuschia.
Combining art & fashion with ‘Dior Impressions’ – a new design book about the ‘Master.’
Another fabulous coffee table book. Whether cut with ballooning bustles or embroidered with a multitude of chiffon petals, Christian Dior’s dresses evoked the light, color and fluidity in the work of the French Impressionists. And it wasn’t by chance. A lover of both art and flowers, Dior found tremendous inspiration in the plein air paintings of Claude Monet, Camille Pissarro, and Pierre-Auguste Renoir. ‘Dior (Rizzoli), a new book published to accompany an exhibition at the Musee Christian Dior in Granville, France, explores the 19th-century art movement’s role in shaping the fashion house – from Dior’s very first designs to a Raf Simons (the current designer) 2012 couture gown, the pastel colors of which recall a Monet canvas. K.N. for W Magazine.
A little bit of fashion history: “The future has arrived and it’s all about dreaming of the past” the essayist and novelist Kurt Anderson once wrote. This was true of the 2013 Fall shows. Ideas from decades old collections showed up on the runways and felt entirely au courant. This was particularly central to Raf Simon’s second ready-to-wear collection for Dior. With a passion for art similar to Monsieur Dior, Simons embroidered early Warhol fashion illustrations onto dresses and embossed them onto clutches.
It doesn’t take a student of fashion history to understand the allure of a coquettishly punk cocktail number, nipped in at the waist in the most feminine, flattering way. Fashion’s tendency to sample and recycle is certainly nothing new. So, when it comes to reinterpreting sartorial history, Simons says “it’s important to think of fashion as part of life. The past can inform, but nostalgia should not be a part of it.”
Taken from an article written by Karin Nelson – This Old Thing?
Interesting facts about some of the most popular luxury fashion houses:
The majority of Hermès is still family-owned (71% is family; 29% is public shares), which means it has the luxury of taking risks when it wants to and staying the course when it doesn’t. The length of thread necessary to make 1,000 Hermès scarves is equal to the distance between the earth and the moon. One silk moth yields one scarf.
The Kelly bag (named after Grace Kelly and the second most sought after bag after the Birkin) is made with 36 pieces of leather and 680 hand stitches.
Hermès start in fine jewelry came from working with silver to trim saddlery – so the house’s first clients were horses!
2) Louis Vuitton: The Louis Vuitton brand is not just one of the most popular brands in the world, but also one of the most valuable. Focus on its heritage as a travel brand helps it to retain its core customer–the jet setter. What you probably don’t know is the fact that every single one of the Louis Vuitton handbags is handmade and this is definitely something that justifies the high price some of their items have. But it gives you a great feeling knowing that what you wear has been created especially for you by a person with passion for design.
Automobile collectors probably know this, but what most women don’t know is the fact that there is an event called Louis Vuitton Classic that is sponsored by the brand and concerns automobile collectors. They also sponsor events that deal with sailing such as The Louis Vuitton Cup, an event that regards international yachting. I bet you never thought about that when you were dreaming of that beautiful Louis Vuitton bag.
3) Chanel: It is no secret to anyone who calls themselves a lover of fashion that Gabrielle Bonheur “Coco” Chanel is thought to be one of the most influential figures in fashion history. She has been credited as the person that gave the “little black dress” its fame. But there is also talk that she started the trend that made sun tanning popular. Rumor has it that in 1923 she was on a cruise bound for the Cannes and by mishap got a bad case of sun burn. She was able to somehow make a bad tan look fabulous, thus starting a trend in favor of sun kissed skin.
Marilyn Monroe’s favorite scent was Chanel No 5. which led her to become the official face of the fragrance. This is arguably one of the first records of a celebrity endorsement.
As everyone knows, Karl Lagerfeld is the current Head Designer and Creative Director of Chanel and a legend in his own right. He is considered one of the most acclaimed fashion designers in the world. Known for his bold designs and constant reinvention, he’s been hailed in Vogue magazine as the “unparalleled interpreter of the mood of the moment.”
In the grand Italian fashion, Gucci as long been known for its leather goods, and 2013 marks the 60th anniversary of the house’s iconic loafer. Over the years the preppy staple has been loved by such boldfaced names as Sophia Loren, Jodie Foster, and Jane Birkin (Hermès named their most popular bag after her) who famously wore the shoes with wide-legged white pants and a barely there lace crop top. The brand is celebrating in style by issuing new versions of the classic, including patent leather in a full spectrum of colors, including orange, coral, blue, green, yellow and red. Long live the loafer!
5) Dior: J’adore!
Christian Dior had a love for architecture and this is one of the features that inspired him to make clothes that showed the female body’s ethereal appearance. He designed clothes that showed the width of the hips and gave importance to the bust area.
Christian Dior believed in luck. In fact, he believed that the most important feature that kept him going and made him successful was good luck. It worked. But he was also known to be very superstitious and he never began a couture show without having consulted his tarot card reader.
In 1949, Dior was the first couturier to arrange licensed production of his designs. Having realized the importance of the complete look – and that the New Look could not be successfully achieved without the correct Dior shoes, gloves and hat.
On February 12, 1947, Dior showed his debut collection, presenting 90 different looks. The opulence of his designs contrasted with the grim post-war reality of Europe, and helped re-establish Paris as the joyful fashion capital it had once been. The house was inundated with orders and world-famous stars such as Rita Hayworth and Margot Fonteyn bought and wore pieces, raising Dior’s profile significantly. Dior was even invited to stage a private presentation of the collection for the British royal family – although King George V reportedly forbade the young princesses, Elizabeth and Margaret, from wearing the New Look in case it set a bad example at a time when rationing was still in force.
In 1955, a 19-year-old Yves Saint Laurent (does that name sound familiar?) became Dior’s design assistant. Of course the rest is history. Recently after long speculation on who would finally replace John Galliano ( who got fired from the job) at Dior, the word had finally gotten out – it’s Belgian designer Raf Simons who made the cut as the new Artistic Director of women’s Haute Couture for the house of Dior.