When it comes to art everyone seems to have an opinion. Of course everyone has different tastes and what someone loves, someone else might despise. But there is art…and then there is ART!
Elan Fine Art Gallery, Vancouver
Have you ever wondered how experienced art world professionals separate out the best art from the rest?
I came across a website about the business of ART by Alan Bamberger, a San Francisco art consultant, advisor, and independent appraiser of all aspects of original works of art including art-related documents, and art reference books. He has been selling art since 1979 and has been consulting and appraising for artists, galleries, businesses, organizations and collectors since 1985. He is the author of “The Art of Buying Art.”
Mr. Bamberger asked some Art World Pros for answers. Here they are:
Brian Gross, Brian Gross Fine Art, San Francisco: Art that is unique in conception and well executed.
DeWitt Cheng, freelance art writer and critic, Bay Area, CA: Good visual art looks stunningly right and, in retrospect, obvious, or inevitable– yet it’s also continually surprising. It is a powerful paradox. How can someone have possibly made this? How in the world could it not have been made?
A magnificent painting by Joseph Kyle hangs in a downtown office bringing light and life to an already beautiful space.
Cheryl Haines, Haines Gallery, San Francisco: Clear intention, unwavering dedication, patience, perseverance, self awareness and the drive to make for yourself and no one else.
Robert Berman, Robert Berman Gallery, Los Angeles: Reality is by agreement. The reality of art is usually by some kind of agreement. The arbiters are the museums, the museum curators, the people who spend their lives and their time actually being critical of what they see and judging what they see. If you add in four or five art critics who are then able to write about it, if you get four or five major collectors who are passionate about what they collect to patronize it, and several major auction houses to auction it, then a consensus or vetting process begins to unfold. Of course there’s magic dust involved, so this is not a sure way, but it’s a safe way to go about judging what is good art.
by Marc Séguin
Catharine Clark, Catharine Clark Gallery, San Francisco: When it has its own internal logic. It took me a long time to get to this place, but that is the answer that I now give. I used to say that good art is like porn; you know it when you see it.
Mat Gleason, Coagula Art Journal, Los Angeles: The moment and the memory. It has to be something that engages you, on one of a million levels, in person, and establishes a memory that remains positive. This can be an artwork that challenges you and then makes you think about it days later or one that seduces you and delivers pleasant feelings days later. There are as many ways to produce this 1-2 effect as there are artists, but so much art that grabs you is glib and you forget it or is lousy and only recalled as something you sped past or upon which you only regret wasting your day.
Robert Shimshak, Collector, Berkeley, CA:
Good art is timeless. It will assume a new relevance to each generation, and to yourself as you grow. It will connect to the past and feed the future. It has a simple and rigorous beauty that commands your gaze and thoughts whenever you look at it. The best work will break your heart. As a collector, you will know it when you see it. It’s personal. You will not have to be convinced by anyone to acquire it; it will be something you simply must have. It is like a good marriage that completes a feeling inside you, something that lasts forever and grows with time.
Marsea Goldberg, New Image Art, Los Angeles: Originality, representational of the time when it was created, passion, a frame of reference, freshness, intellectual content, and is uniquely identifiable as the work of that particular artist. The art should effortlessly have as many of these characteristics as possible– or none at all. It also has to have magic; if you try too hard, the magic could fly away. The artist needs to have a vision and it’s important that the work doesn’t go into a dead end. It’s helpful if the artist has the capacity to reinvent their creativity through various skills and mediums.
Robert Flynn Johnson, Curator Emeritus, Achenbach Foundation, San Francisco: It is truly an unanswerable question without stating something that appears pretentious… the perception of what makes art “good ” revolves around the application of that difficult word, “taste” which I observe to be in considerably short supply in society today. People are not willing to take the time and effort to develop their own personal sensibilities through study or reflection but are prone to “go with the flow” from the “tastemakers” so as not to be seen as square and out of touch… so sad…
Jack Hanley, Jack Hanley Gallery, New York: I like something where the intensity of the experience of the person making it comes through. Maybe somebody is turned on by the nature of the materials, a psychological issue or some kind of narrative. Maybe some people have greater intensities of experience than others. What makes art good on a grander scale is how extraordinary and profound the components of those experiences are. Some artists are maybe better than others at tapping into their own idiosyncrasies and conveying them to others.
Justin Giarla, The Shooting Gallery, White Walls & 941 Geary, San Francisco: What makes good art is when you see a piece from across the room, you immediately fall in love with it without knowing anything about it and are in love with it forever.
Paul Kyle, Private Art Dealer, Elan Fine Art, Vancouver: A good work of art for me, is a piece that has the ability to awaken and remind me of my essence or the highest aspect of my being, if you will. To successfully accomplish this, I as viewer, must be open to allowing the work to reveal itself to me without pre-judgement, what I call contempt prior to investigation. Also, a great work of art gets better the more it is viewed. Often it is the work that has an immediate impact that is the one that wears thin over time, being the one with little real substance, as opposed to the one that takes time to reveal itself as the one with the greatest depth and meaning. There are certain elements however that the work must contain before the experience I seek is possible. Two elements that I look for in art are: Beauty and Elegance. Beauty, not referring to “pretty” but beauty referring to directness and honesty. Elegance is where there is nothing that can be added or taken away from the individual work. This can only be accomplished by an artist with great technical competence and authentic original vision.
Alan Bamberger, itinerant artster, San Francisco: At its most fundamental level, good art is an effective combination of concept, vision and mastery of medium (the ability to get the point across). Good art is also uncompromisingly honest, unselfconscious, bold, ambitious, enlightening, original, challenging, and a feast for the senses. It doesn’t necessarily have to have all of these qualities, but at the very least it has to keep you coming back for more… and never ever bore.
An easy-to-understand book on how to buy, sell, evaluate, appraise, and collect art. Soft cover; 284 pages. By Alan S. Bamberger, noted art expert, author, and syndicated columnist. Available at http://amazon.com