He’s black, he’s bright, he’s shiny and he’s brand spanking new. I like that he’s in touch with his feminine side. Unfortunately this will only be a fair weather romance because he doesn’t like to get too wet or too cold, pay for parking or buy me things. But people have said we look good together.
We’ll enjoy the ride as long as it lasts.
There were two others before him. Someone stole my last love while I was sleeping so I was keeping my eyes open for a replacement. And the previous one that I was keeping on the side was getting too old so I finally dumped him. He held vintage charm but was set in his ways and I had a hard time controlling him.
So with this new one I didn’t even look around – he was the first thing I saw. I didn’t think I would consider his type but when I spotted him looking so fine in the shop – that was it. I said hey, we belong together. When you know, you know.
Have a lovely weekend and enjoy the ride. Remember not to carry too much baggage.Now I’ve got to find something on the side…..(for my dog)
The Vancouver Film Festival is almost over. For the past two weeks I’ve seen my share of GLOOM to GLAMOUR through cinema and ended up going home with either a smile on my face or more often than not, with a heavy heart.Being a film critic is not as simple as it seems. Did I say film critic? Well you know what I mean..my version. It’s kind of like speed dating (not that I’ve ever done that) – you have to weed through many movies before you come across a great film. But that great one will stick with you and may even change your life forever.
I even have a film buddy now. Someone I met in the pass holder lineup from the very beginning of the festival and we kept bumping into each other, sitting together, crying at times and finally comparing films and such and sharing real life moments in time (while waiting for each film to start). We promised to keep in touch and meet up every so often to see a new movie because we seem to have the same taste in film. And let me tell you that finding the perfect film buddy is a lot harder to come across than the other more popular kind of “F” buddy.
So I have only a few more reviews to share, a very small amount compared to all that was offered at the festival. I’m sending them into the VIFF press office and hopefully they’ll decide to invite me back again next year. This has not only been a real pleasure and a privilege but a great opportunity to share with you some very engaging films and a chance to expand my audience.
These two documentaries will make you question everything you buy.
Franca: Chaos and Creation
The high price of fashion…
I was looking very forward to this documentary about legendary editor-in-chief, Franca Sozzani of Vogue Italia, considered the world’s most important fashion magazine. It’s the magazine for fashion insiders to visit the territory where fashion, art and provocationmeet. Her astonishing but often controversial magazine covers have not only broken the rules but also set the bar high for fashion, art and commerce over the past 25 years.
Sozzani remains deeply committed to exploring subject matters off limits to most and occasionally redefining the concept of beauty in the process.
The film features interviews with Karl Lagerfeld, Bruce Weber, Baz Luhrmann, Courtney Love and many others. A film for style buffs.
The higher price of fashion. There’s always a cost. How much are we willing to pay?
This is in stark contrast to Franca and something to give serious thought to.
“There are three kinds of people in the world. The living, the dead and those that are at sea” – a line from the movie.
This film sheds real light on where a huge portion of our clothing really comes from. It will make you question your choices (hopefully) the next time you shop for that next great deal. Maybe we should read clothing labels like we are now paying more attention to our labels on food. Because there’s a story behind them and it’s not a pretty one. Those $20 jeans weren’t just shipped here from Bangladesh: the constituent parts traveled thousands of miles before they met in the factory. But it’s not just about clothing, it’s about everything we consume in our crazy world of WANT. And 90% of everything we consume arrives via ship so this is essential to know about. Because many of us are unaware of the consequences of industrial container shipping as it is today and has been for many, many years. And it’s drastic impact on the environment….which affects everyone and the future of the planet. But it’s not too late to make some changes…if only they will listen (but we don’t know who they really are because the owners are hard to track down).
Denis Delestrac is opening our eyes to the incredibly important implications of things we take for granted. And you won’t believe your eyes.
From the VIFF website:
Freightenedis indeed a scarifying look at our oceans and harbours, and what the behemoths and leviathans that ply our seas are doing to them. It’s all because of what we buy! The unit travel costs of huge industrial container shipments are astonishingly small, but the environmental costs are ridiculously large. Why bother to learn more? Why think global and buy local? The open seas are shockingly free of oversight and regulation. Dirty fuels, chemical leakage and animal-killing noise abound in a regime of tax avoidance and maintenance neglect, and we know so little about it. What are the plans for our Port of Vancouver?
“As an Architect I have the job of transforming hopes and dreams into wood, glass, steel and concrete. But if the dreams aren’t there, there is very little I can do.”
– a line from the The Architect
Still from the Film
Last night I attended the VIFF premiere of a new movie called “The Architect”. I wanted to see a light comedy after the heaviness of the last several movies. Something with a design element to it. The Architect was reminiscent of “The Cable Guy” starring Jim Carrey but only in the sense that the architect (played by James Frain) was annoyingly cloying in his attempt to help out, thus getting on the nerves of his employers as he tries to infiltrate their lives.
The movie was written and directed by Jonathan Parker who was in attendance to answer questions from the audience as was one of the main characters, Eric McCormack (Will & Grace, Broadway, etc.) Parker Posey plays his wife in this bizarre tale of obsession and deceit when a couple (played by McCormack & Posey) hire a supposedly top notch visionary architect to build their dream house right after buying a tear-down. But what they’re not prepared for is the architect’s brash ego informing them to follow his own designs and desires. The wife, a creative type of her own, gets swept up by the architect as creative designer – a stark contrast to her husband’s very practical side. A husband by the way, quite skeptical of the intentions of the architect in question.
You begin to realize who the dream house really belongs to – The Architect.
What’s funny is that Eric McCormack (originally from Vancouver) is building a home here and his own architect was at the screening. He pointed him out in the audience at the Vancouver Playhouse. He said if that wasn’t enough he also hired an interior designer.
Some lines from the film:
I don’t know why people hire architects and then tell them what to do
I believe it is just as important to design a chicken coup as it is to design a cathedral
We’re still pleasantly engrossed at the Vancouver International Film Festival and I can hardly keep up with the reviews. Today I saw two films back to back and I’m a bit mentally worn out. So much to discover and contemplate but I can tell you a little about the last two films with strong leading women.
I have a lot of appreciation for foreign films. Many times they have a lot more depth than North American cinema. I’m a big fan of Spanish director Pedro Almodóvar since having seen Women on the Verge of a Nervous Breakdown, 1988. It was nominated for an Academy Award for best foreign language film. And of course All About My Mother (which I loved even more) won an Academy Award for best foreign language film. The list goes on. So as soon as I heard that Julieta (the latest Almodóvar , sure to become another classic) was partaking at VIFF I had to schedule time to see it.
Told in flashback over 30 years of guilt and grief, this melodrama is based on three Alice Munro short stories. Critics are saying it is his best film in a decade.
What I love the most about any Almodóvar movie is the character study in itself – all about relationships, it never disappoints and you can guarantee the actors are the best of the best.
Emma Suárez is fabulous as Julieta. A beautiful woman who is leaving Madrid to start a new life in Portugal. But before she moves, and by chance, she bumps into a childhood friend of her estranged daughter Antía. She decides to stay in Madrid and returns to the apartment block where she and her daughter once lived. Then we’re transported back to the 80’s to find out the story about fate, love and separation.
I enjoyed the film very much but without giving too much away, I unfortunately didn’t completely understand the decision made by Antía (the daughter) and in my opinion it was a very undeserving situation.
Moving on…
Elle, on the other hand was pretty disturbing in a sick and twisted confrontational sense. I would classify it as a mystery/thriller with a wink and a twist.
I chose it because it’s a French film which stars Isabelle Huppert and is directed by Dutch filmmaker (and former Hollywood bad boy) Paul Verhoeven (Basic Instinct, Starship Troopers).
I liked the strong, seductive unemotional character of business woman (a CEO of a video game company) Michelle (Isabelle Huppert) with her dry sense of humour. She is superb in the role. I was disturbed and intrigued. This movie will most definitely spark a debate.
I really wanted to love this film. Of course the name alone appealed to me as you must have already guessed. It was a definite YES on my list and it was a front runner at the Cannes film festival.
Kristen Stewart in Personal Shopper
I mean it had ALL the elements of a fantastic movie. An unassuming young woman (played by Kristen Stewart) riding a scooter around Paris picking up vetements from shoppes like Chanel for her super model employer who is too high profile to do it herself. She also has a special gift of being a medium (not in size but in a psychic way). She’s waiting for a sign from her twin brother who passed away. And she’s able to tap into the spirit world when disturbing signs appear before her but they are not that of her brother.
The movie is almost unclassifiable. It has a little of everything but doesn’t quite hit the mark. It’s a bit of a thriller but not really because it’s too disjointed. It leaves you a bit in the dark…wanting answers.
And even though Kristen Stewart does an excellent job in the role it made me question why a super model would choose a mopey dishevelled looking girl who doesn’t dress well to go to these upscale boutiques to choose clothing and accessories. Just saying.
But maybe I’m missing something because while I bided time at Nordstrom waiting for the next movie to begin I came across this image:
Photo: d. king
Apparently Karl Lagerfeld saw something special in the young actress beyond the messy hair and frowned lips. Lagerfeld & Stewart have collaborated many times to bring to life the true spirit (no pun intended) behind the fashion house Chanel. Speaking of the actress, Lagerfeld once declared: “She is a real personality. I don’t compare her to any other actress and she is really modern, whatever that means. And I think that she is perfect for the Chanel image of today.”
So who am I to argue with Karl!
But going back to the movie….I liken it to a Thanksgiving meal that you enjoyed but they forgot about the cranberry sauce and gravy.
Very Intriguing Fabulous Films is what VIFF also stands for
It’s a frenzy. There’s a ton of good films out there – you’ve just got to find them! And there’s literally something for everyone.
Movies are not only an escape from daily life (sometimes good, sometimes not) but many are insightful, you can learn something, or maybe you just want to be totally entertained, or shocked, or frightened, or moved or infuriated or turned on and so forth….that’s the beauty of it all.
Inuit Cowboys in the Arctic – Maliglutit was inspired by John Ford’s The Searchers (1956), a classic duster starring John Wayne. I never liked cowboy movies….
It’s like feast or famine for me (and not just with movies). I binge watched ALL the Academy Award nominated movies for the last awards show….after not having been to a movie theatre in a very loooong time.
I mean who has time to watch a ton of movies all at once when there are fashion shows to attend and foodie/wine events to go to?
Oh and I forgot about binge watching Stranger Things & Bates Motel on Netflix. There’s a lot of stuff on my plate now.. besides food.
So now I’m attending a handful (actually two handfuls) of movies not yet released in theatres – all part of the Vancouver International Film Festival (VIFF). So many to choose from in all genres.
Good movie but could be shortened by about 40 minutes.
THIS YEAR they’ve divided the festival guide into categories. Panorama, focusing on contemporary world cinema, Ignite, showcasing inspired works emerging from the creative nexus that is British Columbia, True North, celebrating extraordinary creativity by Canadian storytellers, Impact, uncompromising films and discussions that spark action and change the way we see the world, Gateway, a journey into a compelling cinematic world of East Asia’s most adventurous artists, M/A/D (Music, Art, Design) and Style in Film and ALT (Altered States) – Short Films.
I’ve managed to pick at least one from each category to watch and review. The first thing I do is to look at each title. If the title intrigues me then I read the blurb about the film and mark it as either YES or NO. This is a challenge in itself because most of these films (if not all) are being reviewed for the very first time as they are not yet released. So I thought I’d try my hand as a movie critic…of sorts. Keeping in mind that I only choose movies that intrigue me and that I’m going to like… or at least hoping to like. So I’m very unlikely to give a bad review having carefully gone over all critical criteria beforehand.
Finding time to fit these films into your schedule….now that can be a challenge. There are a few I want to see but cannot. There are others that overlap and a few which are several hours apart from each other, so you have to figure out what to do in the time in between. Sigh…….And you know your life is full when you must choose between seeing a movie totally filmed in the Arctic complete with dog sleds and igloos vs taking a fermented cooking class. Choices!
Time in between can be spent eating, shopping, walking the dog again, going to a yoga class or just….meditating.
Such is life in the world of cinema and all us crazy film buffs (even if we’re only part -timers).
That’s all to say that up until October 14th (maybe beyond) you’ll be hearing about these movies. But then you won’t….possibly for quite some time. So enjoy it (or not) while you can!
Are there any movies you’re anxious to see? Are there any that intrigue you to go and see from my notes on this blog?
YOHJI YAMAMOTO | DRESSMAKER& master tailer is a portrait of more than a Designer
“Live your creative life! Live your creative life!’”
Last night I attended the Canadian premiere of Yohji Yamamoto, Dressmaker – part of the wonderful lineup of the Vancouver International Film Festival (VIFF).
The documentary is an intimate look at the life and work of Yohji Yamamoto, one of the most influential and enigmatic fashion designers of the last forty years.
Not to mention flamboyant in his own disarming way but also non pretentious and a little melancholy. He does admit to putting all his emotion, all his excitement and philosophy into his clothing from the very beginning…all while puffing on a cigarette. I imagine his own clothing must reek of cigarette smoke. However…
Fashion editors agree – arriving at a Yohji Yamamoto show stirs a sense of anticipation not experienced elsewhere.
Love his designs? Hate them? Unsure? In any event you cannot deny the remarkable talent and avante-garde spirit of this now 73-year-old Japanese designer/artist who has never followed trends. He defies them! Extraordinary dressmaking is an ART in itself.
Along with Issey Miyake and Rei Kawakubo, Yamamoto was, of course, at the fore of an influential wave of avant-garde designers who emerged from Japan in the 1970s and early 1980s.
The film sets out to discover and uncover the many layers of the man, delving into the fascinatingly complex life story of this iconic and visionary craftsman.
Yamamoto opens up like never before. He invites the viewer behind the curtain and explores his most private and intimate thoughts and feelings. The film sheds light on his artistic approach and creative working process, contrasting them directly with how he sees the “Fashion” industry today and the direction society in Japan and as a whole, is heading towards.
Interviews with key figures – family, friends, employees and closest confidants – provide even more insight into this Japanese artist’s life journey and the core values that he and his clothing embody. If only we could understand what many of them had to say.
In this version they forgot to add the English sub-titles when they interviewed many of the key figures, mother included. Although Lost in Translation, I’m sure it was mostly positive.
“I’ve always dreamt of being free, but it won’t happen in my lifetime. I have too many people to look after.” – Yohji Yamamoto
Beyoncé wearing YY
Condensed from an article in Interview Magazine:
Born into wartime Tokyo in 1943, Yamamoto first studied law, but opted instead to go to work for his mother, a seamstress, and enroll in Bunka Fashion College. It was after a brief sojourn in Paris that he established his first label, Y’s, in Tokyo in 1972, debuting his eponymous line back in the French capital nine years later and blowing away the tight dresses and padded shoulders of the sartorial moment with the billows of dark fabric and a brand of intellectual playfulness that instantly earned him a place as one of the most forward-looking, paradigm-breaking, and versatile artists in contemporary fashion. But for a man whose work has consistently been associated with the cutting edges of things, Yamamoto has always remained remarkably trend-phobic, choosing to operate within a framework that has less to do with the whims of seasons and more to do with the development of ideas, as exemplified by his frequently loose, asymmetrical cuts, enveloping drapes, ample uses of black, and recurring flirtations with sexuality and androgyny.
Never conventionally sexy or trendy (Cathy Horyn of the New York Times has said, “Mr. Yamamoto likes to dissolve sartorial boundaries”), Yamamoto appeals to clients who appreciate wit, romance, and fashion history.
Yamamoto has also collaborated on pieces, collections and lines with a number of other brands, including Adidas (Y-3), Hermès, Mikimoto and Mandarina Duck; and with artists such as Tina Turner, Sir Elton John, Placebo, Takeshi Kitano, Pina Bausch and Heiner Müller.
Garbe Luxe is where you mix luxurious athletic wear with your daily after-workout activities. Especially if you live in Los Angeles or Vancouver.Aside from the fact that my most stylish friend is the designer behind the line, I have to vouch for the overall fit, longevity, comfort and versatility. After all, I have a lot of it in my wardrobe.
A bit about GARBE LUXE:
GARBE LUXE is a contemporary collection of sporty edge styles perfect to take you from your workout and into your day. The collection is all about helping your athletic wear gracefully make the transition to the world beyond the exercise studio. Whether heading to a morning meeting, dropping off the kids or joining friends for lunch, GARBE LUXE has you covered so you always feel polished, confident and comfortable. Paired back minimalism, luxurious fabrics, and mix-and-match options create sophisticated options for your on-the-go life.
If you live in Vancouver I just want to bring to your attention the following two important events.
INSPIRED DINING WEEK
Inspired Dining Week takes place from October 15-23, 2016, providing an opportunity for diners to choose menu items from some of Vancouver’s best dining establishments (there will be more Inspired dine out experiences expanded to other cities):
Restaurants, eateries and healthy vendors will showcase the best of their culinary delights over the nine days. Inspire Health is partnering with the participating restaurants across Vancouver in an effort to help raise awareness and funds for Inspire Health (a not for profit organization helping provide lasting lifestyle changes for those living with cancer and their families). You will also get the chance to try the various dining establishments.
Join us for one of Vancouver’s most memorable fundraising galas, A Night to Inspire welcomes 200 of our city’s business, health care and philanthropic leaders for an inspirational evening.
This year we are delighted to take our guests on a culinary experience like no other. Teaming up with four top chefs from across the country, we will feature an incredible five-course seated dinner, paired with a wonderful selection of wines from the Oliver Osoyoos Winery Association.
The evening will also feature:
The launch of Inspired Cooking, a storytelling cookbook featuring recipes and stories from 20 of Canada’s top chefs. Every guest will receive their own copy of Inspired Cooking.
Live music & entertainment
Inspirational stories from InspireHealth members
Silent & live auction showcasing an array of desirable items
Tickets are on sale for $250. Please e-mail events@inspirehealth.ca or purchase at the centre : Suite 200 – 1330 West 8th Avenue.
I think this is a great way to bring awareness to not only Inspire Health, but to celebrate ourselves with good healthy food and wise choices.
is the true life story of Maud Lewis, a self taught painter who rose to fame despite all odds. It was the film chosen for the OPENING GALA at the 35th Vancouver International Film Festival (VIFF).
It did not disappoint. In fact it was one of the most compelling movies I’ve seen in a long time. A hauntingly beautiful movie about suffering, unlikely romance and ultimately success against numerous setbacks, in a cinematic landscape.
This quote by Elisabeth Kübler-Ross best sums up the main character’s personality:
“The most beautiful people we have known are those who have known defeat, known suffering, known struggle, known loss, and have found their way out of the depths. These persons have an appreciation, a sensitivity, and an understanding of life that fills them with compassion, gentleness, and a deep loving concern. Beautiful people do not just happen.”
Set in Nova Scotia in the 1950s and 1960s, the story unfolds as Maudie (played by Sally Hawkins) crippled with rheumatoid arthritis decides to leave her family who have taken advantage of her personally and financially, for once and for all.
She meets a lonely reclusive fish peddler named Everett Lewis (played by Ethan Hawke) when he tries to hire a housekeeper.
The film unfolds from there as we find out how these two opposites fare in each others lives. Everett is a very difficult man and Maudie is determined to see it through with wit, heart and ART.
It’s okay to give away the ending because by now everyone knows that Maud Lewis became a well-known and well deserved folk artist whose paintings hang in the White House.
This film is an Irish-Canadian co-production.
Cast member Kari Matchett is Canadian. She plays Sandra, a woman visiting from New York with nice shoes, a nice manner and an interest in the art that is revealed inside the little house Maud and Everett live in. She commissions Maud to paint some cards for her.
The movie was filmed in Newfoundland near Trinity (a location I visited while in Newfoundland a few years back) so it was familiar. The real location was near Digby, Nova Scotia (another location I visited on that same trip). The remote scenery is breathtaking.
Irish Director Aisling Walsh along with two other female producers were there to help promote the film and answer questions from the audience at the very end.
I met Aisling Walsh in the lobby after the film. Everyone had a ballot to vote how much (or how little) they liked the movie from 1-5, with 5 being the highest. I told her that I would give it a 5 but it really deserved a 10. Also, I was a mess from tearing up so much it’s a good thing I wasn’t wearing mascara.
“Maud’s story epitomizes triumph over adversity – “Art Gallery of Nova Scotia
Now I’ve got to find something on the side…..(for my dog)
Being a film critic is not as simple as it seems. Did I say film critic? Well you know what I mean..my version. It’s kind of like speed dating (not that I’ve ever done that) – you have to weed through many movies before you come across a great film. But that great one will stick with you and may even change your life forever.
Today I saw two films back to back and I’m a bit mentally worn out. So much to discover and contemplate but I can tell you a little about the last two films with strong leading women.
Aside from the fact that my most stylish friend is the designer behind the line, I have to vouch for the overall fit, longevity, comfort and versatility. After all, I have a lot of it in my wardrobe.
It was the film chosen for the OPENING GALA at the 35th Vancouver International Film Festival (VIFF). 
Girl Who Would be KING on Life, Style and INSPIRATION. 
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